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Chihung Yang

Taiwanese-American painter (born 1947)

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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJul 27, 2026
Entity authorityQ43140177
Source-derived summary

This is a Chinese name; the family name is Yang

Yang Chihung (Chinese: 楊識宏; pinyin: Yang Chihung; born 25 October 1947) is a Taiwanese-American artist.

Early life and education

Yang Chihung was born on 25 October 1947, in Chungli, Taiwan. He developed an interest in art in early childhood, and found inspirations to pursue an artist career after reading Lust for Life – The Life of Vincent van Gogh, translated by poet Yu Kuang-chung, in junior high school. Between 1965 and 1968, he attended then National Taiwan College of Art, developing a sound foundation in oil painting under the tutelage of famous Taiwanese artists of the Japanese Colonial period, such as Liao Chi-chun, Li Mei-shu and Yang San-lang. Meanwhile, he actively attended events organized by the modern art groups of Taiwan, namely the Fifth Moon Group and Ton Fan Group, only to find himself both intimidated and dissatisfied with the then relatively conservative art environment in Taiwan. In 1979, he emigrated to the United States of America with his wife, Jane, and their son, Daniel. In 1984–85 and again in 1985–86, he was twice awarded a year's residency at The Clocktower Studio in New York City by MoMA P.S.1.

Career

In 2013, Yang, along with Xu Bing, Zhang Huan, and Li Chen, were the four artists featured in the Discovery Channel Asia documentary series, Chineseness, a multi-series production that focused on postwar Chinese contemporary artists.

Awards and recognition

1989, Outstanding Asian American Artist Award, by Governor of New York

1984–1986, MoMA P.S.1 National Studio Program, Residency at Clocktower Studio, New York

Solo exhibitions

2019 Majestic Momentum – Yang Chihung, Guangdong Museum of Art, Guangzhou, China

2017–2018 The Sensibilities of Black and White – Yang Chihung's Recent Works from the Stream of Consciousness Series, Asia Arts Center Beijing, Beijing, China

2015 Eternal Present – Recent Paintings by Yang Chihung, Ueno Royal Museum, Tokyo, Japan

2014 Faces of Contemporary Intelligentsia, New Taipei City Art Center, Tamsui Historical Museum, Taipei, Taiwan

2014 The Poetics of Polyphony: Yang Chihung Solo Exhibition, Asia Art Center, Taipei, Taiwan

2011–2012 Beyond Painting – Chihung Yang's Genes of Creativity, Kaohsiung Museum of Fine Arts, Kaohsiung, Taiwan

2010 Chihung Yang 40 Years of Painting, National Taiwan Museum of Fine Arts, Taichung, Taiwan

2009 Chihung Yang: Sculpting In Time, Chung Shan National Gallery, National Dr. Sun Yat-sen Memorial Hall, Taipei, Taiwan

2008 Yang Chihung Recent Paintings, ChinaSquare Gallery, New York City

2007 Inner Vision.

Editorial summary

This brief starts where responsible research should: with the source description of “Chihung Yang” as taiwanese-American painter (born 1947). Everything that follows is an evidence route, not borrowed authority.

Editorial reviewA concise reference frame for defining the subject, testing terminology and identifying the institution closest to the evidence. The current lead gives the account dated anchors—1947, 1965, 1968, 1979—that can be checked directly. The linked authority record independently contributes the date 1947-10-25. The account is most persuasive where Chihung, Yang and Taiwanese-American can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the general reference register because the source frames it as taiwanese-American painter (born 1947). Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

Named sources, stable identifiers and responsible institutions provide the strongest route from overview to verifiable evidence. The source revision retrieved here is dated Jul 27, 2026. The linked authority identifier is Q43140177. VIAF identifies the subject as 61874466. The Library of Congress control number is n78042155. 3 of 4 selected statements include explicit references; 1 carry qualifiers and 0 use preferred rank. The first chronological checks are 1947, 1965, 1968 and 1979.

Critical limits

A concise general-reference account can conceal disagreements about scope, terminology or the weight assigned to individual sources. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Use the entry as an orientation point, then follow its citations and revision history. Names, dates and institutional relationships should be checked against the original record.

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Source & attribution

This entry incorporates text from Chihung Yang” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.