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Chicago V

1972 studio album by Chicago

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 21, 2026
Entity authorityQ2963331
Source-derived summary

Chicago V is the fourth studio album by the American rock band Chicago. It was released on July 10, 1972, by Columbia Records. It is the group's first single album release, after having released three consecutive double albums and a four-disc box set of live material Chicago at Carnegie Hall which is considered "Chicago IV" hence this album being titled Chicago V.

History

Following the release of Chicago III in 1971, the group changed from producing double albums, with many songs arranged in extended suites, in favor of more concise tracks on a single album. It is often considered the group's return-to-basics as it has a sound resembling their first album, Chicago Transit Authority. Chicago V is also notable for Robert Lamm's prolific songwriting; Eight out of its ten tunes are composed solely by him. Terry Kath wrote and sang the album's final track "Alma Mater", which showcased his acoustic guitar abilities. The song "A Hit by Varèse" is a tribute to French-American composer Edgard Varèse. This would be the last album not to have any compositions from Peter Cetera during his tenure in the band.

Recorded just before Chicago at Carnegie Hall was released in late 1971, Chicago V was cut in just over a week and held over for release until the following summer. Released shortly before the album, the single "Saturday in the Park" was the band's biggest hit to that point, reaching No.

Editorial summary

This brief starts where responsible research should: with the source description of “Chicago V” as 1972 studio album by Chicago. Everything that follows is an evidence route, not borrowed authority.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current lead gives the account dated anchors—1972, 1971—that can be checked directly. The linked authority record independently contributes the date 1972-07-10. The account is most persuasive where Chicago, studio and album can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the arts & letters register because the source frames it as 1972 studio album by Chicago. Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Sep 21, 2026. The linked authority identifier is Q2963331. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1972 and 1971.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Chicago V”, its source revision and the description used here.
  2. Expand the search: follow Chicago V primary sources, Chicago V archive and Chicago research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Chicago V”?
  2. Where is authorship, date or provenance documented?
  3. Which edition, object, performance or recording is being described?
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Source & attribution

This entry incorporates text from Chicago V” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.