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Chicago Opera Theater

non-profit organization in the USA

Layered newspapers, civic records and oral-history reels arranged as chronological evidence
History and societyInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 5, 2026
Entity authorityQ5095724
Source-derived summary

The Chicago Opera Theater (COT) is an American opera company based in Chicago, Illinois. COT is a resident company at the Harris Theater for Music and Dance in Chicago's Millennium Park and is currently in residence at the newly renovated Studebaker Theater in the historic Fine Arts Building. In addition to productions of selected operas from the core opera repertoire, COT has an emphasis on American composers, Chicago premieres, and producing new contemporary operas for a 21st-century audience.

Alan Stone founded the company as the Chicago Opera Studio in 1974. Stone utilised Jones Commercial High School as the mainstage location for the company until 1976. Subsequently, the company held a residency at the Athenaeum Theatre on the north side of Chicago through 2004. The company also gave occasional performances at the Merle Reskin Theater of De Paul University and at Rosary College in River Forest, Illinois.

Stone served as artistic director of COT until 1993. General managers of COT have included Marc Scorca (1984-1990), Mark Tiarks, Jean Perkins, and Joseph De Rugeriis.

Brian Dickie became general director of COT in 1999, and held the post until August 2012.

Editorial summary

Begin with the source’s own compact description: “Chicago Opera Theater” is non-profit organization in the USA. The dossier treats that line as a proposition to test through Chicago, Opera and Theater, not as a finished interpretation.

Editorial reviewA strong contextual entry point for chronology, institutions and public events when official records are distinguished from later interpretation. The current lead gives the account dated anchors—1974, 1976, 2004, 1993—that can be checked directly. The linked authority record independently contributes the date 1974-01-01. For this dossier, Chicago, Opera and Theater is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “non-profit organization in the USA” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Contemporary correspondence, administrative files and participant testimony can test how later narratives organized the event or institution. The source revision retrieved here is dated Sep 5, 2026. The linked authority identifier is Q5095724. VIAF identifies the subject as 123475598. 3 of 3 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1974, 1976, 2004 and 1993.

Critical limits

Institutional narratives can privilege the records that survived while minimizing voices that were never formally collected. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Compare institutional narratives with records created by participants and affected communities. Dates and formal titles are useful anchors, but not substitutes for context.

Best used for
  • Event chronology
  • Institutional context
  • Locating named record creators
Verify next

Contemporary correspondence, government or organizational records, oral histories and cited historical scholarship.

Three-step research path

  1. Establish the record: confirm the title “Chicago Opera Theater”, its source revision and the description used here.
  2. Expand the search: follow Chicago Opera Theater primary sources, Chicago Opera Theater archive and Chicago research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Chicago Opera Theater”?
  2. Which voices are present, absent or mediated by the institution?
  3. Who created the surviving record, and for what administrative purpose?
Subject index

Search terms from this dossier

Source & attribution

This entry incorporates text from Chicago Opera Theater” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.