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Center for Puppetry Arts

non-profit organization in the USA

Layered newspapers, civic records and oral-history reels arranged as chronological evidence
History and societyInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJul 9, 2026
Entity authorityQ5059833 ↗
Source-derived summary

The Center for Puppetry Arts, located in Atlanta, is the United States' largest organization dedicated to the art form of puppetry. The center focuses on three areas: performance, education, and museum. It is one of the few puppet museums in the world. The center is located in Midtown, the city's arts district. It was founded in 1978 by Vincent Anthony.

History

The Center for Puppetry Arts opened to the public on September 23, 1978, when Kermit the Frog and his creator Jim Henson cut the ceremonial ribbon.

A young puppeteer from Florida, Vincent Anthony, began touring with Nicolo Marionettes under the tutelage of Nicholas Coppola-based out of New York City. By 1966, he was ready for a smaller community where he could be an active partner and make a difference. Together with Mitchell Edmonds, with whom he'd worked at Nicolo, they decided to move to Atlanta to create their own company - The Vagabond Marionettes. Vince's vision was to create a center that would promote puppetry and become a vital part of the community.

Editorial summary

“Center for Puppetry Arts” enters the record as non-profit organization in the USA. Crown Archives preserves that source wording while asking what Center, Puppetry and Arts can confirm, complicate or overturn.

Editorial reviewMost valuable as an event-and-institution map that identifies actors, dates and record creators for deeper historical inquiry. The current lead gives the account dated anchors—1978, 1966—that can be checked directly. The linked authority record independently contributes the date 1978-01-01. Its strongest next move is a source search built around Center, Puppetry and Arts.
Editorial analysis

Why this record matters

“Center for Puppetry Arts” is worth following because a concise public description often conceals a longer documentary argument. Here, Center, Puppetry and Arts provides the most credible route into that argument.

Evidence profile

Chronology, provenance and viewpoint should be read together before a broad social or political interpretation is accepted. The source revision retrieved here is dated Jul 9, 2026. The linked authority identifier is Q5059833. VIAF identifies the subject as 134149489076293810008. The Library of Congress control number is n84011965. Authority coordinates are 33.793, -84.390. 4 of 5 selected statements include explicit references; 1 carry qualifiers and 0 use preferred rank. The first chronological checks are 1978 and 1966.

Critical limits

Later summaries often reconcile disputed chronology or motive more neatly than the contemporary record permits. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Compare institutional narratives with records created by participants and affected communities. Dates and formal titles are useful anchors, but not substitutes for context.

Best used for
  • Event chronology
  • Institutional context
  • Locating named record creators
Verify next

Contemporary correspondence, government or organizational records, oral histories and cited historical scholarship.

Three-step research path

  1. Establish the record: confirm the title “Center for Puppetry Arts”, its source revision and the description used here.
  2. Expand the search: follow Center for Puppetry Arts primary sources, Center for Puppetry Arts archive and Center research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Center for Puppetry Arts”?
  2. Which voices are present, absent or mediated by the institution?
  3. What chronology connects this entry to wider political or social change?
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Source & attribution

This entry incorporates text from “Center for Puppetry Arts” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.