CACrown ArchivesThe cinema collection
Menu
Research dossier · General Reference

Cello Concerto (Schumann)

work by Robert Schumann

Cross-disciplinary reference desk with index cards, atlas, dictionary and catalogue
General referenceInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJul 12, 2026
Entity authorityQ2636117 ↗
Source-derived summary

The Cello Concerto in A minor, Op. 129, by Robert Schumann was completed in a period of only two weeks, between 10 October and 24 October 1850, shortly after Schumann became the music director at Düsseldorf.

The concerto was never played in Schumann's lifetime. It was premiered on 23 April 1860, four years after his death, in Oldenburg, with Ludwig Ebert as soloist.

The length of a typical performance is about 25 minutes.

Instrumentation

The work is scored for solo cello, two flutes, two oboes, two clarinets, two bassoons, two horns, two trumpets, timpani, and strings.

Structure

Written late in his short life, the concerto is considered one of Schumann's more enigmatic works due to its structure, the length of the exposition, and the transcendental quality of the opening as well as the intense lyricism of the second movement. On the autograph score, Schumann gave the title Konzertstück (concert piece) rather than Konzert (concerto), which suggested he intended to depart from the traditional conventions of a concerto from the beginning.

Consistent with many of Schumann's other works, the concerto utilizes both fully realized and fragmentary thematic material introduced in the first movement, material which is then quoted and developed throughout. Together with the concerto's relatively short, linked movements, the concerto is thus very unified both in material and in character, although the work's emotional scope is wide.

Editorial summary

Begin with the source’s own compact description: “Cello Concerto (Schumann)” is work by Robert Schumann. The dossier treats that line as a proposition to test through Cello, Concerto and Schumann, not as a finished interpretation.

Editorial reviewA dependable orientation record for establishing vocabulary, names and a first evidence trail. The current lead gives the account dated anchors—1850, 1860—that can be checked directly. The authority record carries competing date values—1860-06-09, 1850-01-01—which should remain separate until their references and qualifiers are resolved. For this dossier, Cello, Concerto and Schumann is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “work by Robert Schumann” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

The citation trail is more important than the brevity of the summary: it shows where individual claims can be examined in context. The source revision retrieved here is dated Jul 12, 2026. The linked authority identifier is Q2636117. VIAF identifies the subject as 293460666. 2 of 3 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1850 and 1860.

Critical limits

A concise general-reference account can conceal disagreements about scope, terminology or the weight assigned to individual sources. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Use the entry as an orientation point, then follow its citations and revision history. Names, dates and institutional relationships should be checked against the original record.

Best used for
  • Subject orientation
  • Search vocabulary
  • Locating named sources
Verify next

The closest primary source, responsible institution and strongest cited specialist reference.

Three-step research path

  1. Establish the record: confirm the title “Cello Concerto (Schumann)”, its source revision and the description used here.
  2. Expand the search: follow Cello Concerto (Schumann) primary sources, Cello Concerto (Schumann) archive and Cello research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Cello Concerto (Schumann)”?
  2. Which cited source is closest to the event, object or claim?
  3. What terminology or title could unlock a more precise catalogue search?
Subject index

Search terms from this dossier

Source & attribution

This entry incorporates text from “Cello Concerto (Schumann)” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.