CACrown ArchivesThe cinema collection
Menu
Research dossier · Arts & Letters

CeCe Winans (album)

2001 studio album by Cece Winans

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJun 5, 2026
Entity authorityQ5055673 ↗
Source-derived summary

CeCe Winans is the fifth studio album by American singer CeCe Winans. It was released by WellSpring Gospel and Sparrow Records on June 19, 2001, in the United States. The album adopted a more urban flair to it with a mixture of pop, R&B, and hip hop.

Critical reception

Allmusic editor Ashleigh Kittle wrote that "upbeat, energy-filled, and enthusiastic, the project is not only musically diverse but offers hard-hitting messages. The song "It's Gonna Get Better" was written with teen suicide prevention programs in mind, while "Bring Back the Days of Yea and Nay," a duet with brother Marvin Winans, challenges parents to take responsibility for training their children. A definite highlight on the album is the song "Looking Back at You." It is an inspirational track, leaning toward a ballad, that speaks of God's unfailing and unconditional love."

Track listing

Taken from

Notes

^[a] denotes a co-producer

Personnel

CeCe Winans – vocals

Dan Muckala – programming (3, 6)

Jeremy Bose – keyboards (4), drum programming (4)

Robbie Buchanan – programming (5), arrangements (5)

Bernie Herms – programming (7, 9, 11), acoustic piano (9)

Blair Masters – programming (7), additional keyboards (7), Hammond B3 organ (7), synthesizer overdubs (8, 13), Fender Rhodes (12)

Adam Anders – programming (8), bass (8)

Marc Q. Harris – Hammond B3 organ (12)

Nick Trevisick – programming (13)

Tommy Sims – acoustic guitars (1, 4), drum programming (1), percussion (1), horn arrangements (1), rhythm arrangements (1, 2, 4), string arrangements (1), vocal arrangements (1, 2, 4), synthesizers (2, 4, 10), guitars (2), bass (2, 4, 10, 12), drums (2, 10), backing vocals (2), sitar (4), additional programming (6), all arrangements (10)

Andrew Ramsey – acoustic guitars (1, 12)

Chris Rodriguez – electric guitars (3, 6, 7, 13), backing vocals (3), acoustic guitars (7)

Jerry McPherson – guitars (8)

Craig Young – bass (8)

Mark Hill – bass (9)

Scott Williamson – drums (9)

Dan Needham – drums (12)

Eric Darken – percussion (7, 9, 11–13)

Darrell Tibbs – percussion (12)

Barry Green – horns (1)

Mike Haynes – horns (1, 6, 13)

Mark Douthit – horns (6, 13)

Doug Moffett – horns (6, 13)

Denis Solee – horns (6, 13)

Tim Akers – horn arrangements (6, 13)

John Catchings – strings (1)

Jacob Lawson – strings (1)

The London Session Orchestra – strings (5, 8, 9, 11, 12)

Gavyn Wright – concertmaster (5, 8, 9, 11, 12)

Carl Marsh – string arrangements (5, 9, 11, 12)

Ronn Huff – string arrangements (8)

Brown Bannister – BGV arrangements (11)

Leanne Palmore – backing vocals (1–3, 7, 9, 12)

Jerard Woods – backing vocals (1, 2, 12)

Jovaun Woods – backing vocals (1, 2, 12)

GRITS – rap (2)

Giorgio Ammirabile – backing vocals (3, 7)

Travis Cottrell – backing vocals (3)

Da'dra Crawford-Greathouse – backing vocals (3, 7–9)

Steve Crawford – backing vocals (3, 7, 9)

Fiona Mellett – backing vocals (3, 9)

Michael Mellett – backing vocals (3, 4, 7, 8), BGV arrangements (7–9)

Wendy Moten – backing vocals (3, 7, 9, 13)

Kayla Parker – backing vocals (3, 6, 11), BGV arrangements (6, 11)

Joey Ritchie – backing vocals (3, 7, 9)

Nicol Smith – backing vocals (3, 13)

Ken "Scat" Springs – backing vocals (3, 7)

Micah Wilshire – backing vocals (3)

Debbie Winans-Lowe – backing vocals (3, 8, 12)

Chip Davis – backing vocals (4), vocal arrangements (4)

Sue Ann Carwell – backing vocals (5)

Leanne Albrecht – backing vocals (7)

Lisa Bevill – backing vocals (7)

Angela Cruz – backing vocals (7)

Peter Penrose – backing vocals (7)

Tiffany Palmer – backing vocals (8, 10)

Nirva Dorsaint – backing vocals (9)

Roger Ryan – backing vocals (9)

Chris Willis – backing vocals (9)

Chris Eaton – backing vocals (11), BGV arrangements (11)

Nee-C Walls – backing vocals (13), BGV arrangements (13)

Production

Michael Blanton – executive producer

Demetrus Stewart – executive producer

CeCe Winans – executive producer

Traci Sterling Bishir – production manager

Michelle Bentrem – production management assistant

Christiév Carothers – creative director

Jan Cook – art direction

Katherine Stratton – design

Matthew Jordan Smith – photography

Blanton & Harrell, Inc.

Editorial summary

Begin with the source’s own compact description: “CeCe Winans (album)” is 2001 studio album by Cece Winans. The dossier treats that line as a proposition to test through CeCe, Winans and album, not as a finished interpretation.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—2001—that can be checked directly. The linked authority record independently contributes the date 2001. For this dossier, CeCe, Winans and album is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “2001 studio album by Cece Winans” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Jun 5, 2026. The linked authority identifier is Q5055673. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 2001.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “CeCe Winans (album)”, its source revision and the description used here.
  2. Expand the search: follow CeCe Winans (album) primary sources, CeCe Winans (album) archive and CeCe research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “CeCe Winans (album)”?
  2. Which edition, object, performance or recording is being described?
  3. Where is authorship, date or provenance documented?
Subject index

Search terms from this dossier

Source & attribution

This entry incorporates text from “CeCe Winans (album)” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.