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Cueva de las Manos

cave with cave paintings in Santa Cruz, Argentina

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General referenceInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJul 24, 2026
Entity authorityQ223385 ↗
Source-derived summary

Cueva de las Manos (Spanish for Cave of the Hands or Cave of Hands) is a cave and complex of rock art sites in the province of Santa Cruz, Argentina, 163 km (101 mi) south of the town of Perito Moreno. It is named for the hundreds of paintings of hands stenciled, in multiple collages, on the rock walls. The art was created in several waves between 7,300 BC and AD 700, during the Archaic period of pre-Columbian South America. The age of the paintings was calculated from the remains of bone pipes used for spraying the paint on the wall of the cave to create the artwork, radiocarbon dating of the artwork, and stratigraphic dating.

The site is considered by some scholars to be the best material evidence of early South American hunter-gatherer groups. Argentine surveyor and archaeologist Carlos J. Gradin and his team conducted the most important research on the site in 1964, when they began excavating sites during a 30-year study of cave art in and around Cueva de las Manos. The site is a National Historic Monument in Argentina and a UNESCO World Heritage Site.

Location

Cueva de las Manos refers to both the main site of the cave and the surrounding complex of rock art sites that includes it. The cave lies at the base of a stepped cliff in the Pinturas River Canyon, in the upper part of the Deseado River basin, in an isolated part of Patagonia. It is about 165 km (103 mi) south of Perito Moreno, a town in northwest Santa Cruz Province, Argentina.

Editorial summary

Begin with the source’s own compact description: “Cueva de las Manos” is cave with cave paintings in Santa Cruz, Argentina. The dossier treats that line as a proposition to test through Cueva, Manos and cave, not as a finished interpretation.

Editorial reviewA concise reference frame for defining the subject, testing terminology and identifying the institution closest to the evidence. The current lead gives the account dated anchors—1964—that can be checked directly. The selected authority fields contribute no independent date. For this dossier, Cueva, Manos and cave is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “cave with cave paintings in Santa Cruz, Argentina” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Named sources, stable identifiers and responsible institutions provide the strongest route from overview to verifiable evidence. The source revision retrieved here is dated Jul 24, 2026. The linked authority identifier is Q223385. VIAF identifies the subject as 315529721. The Library of Congress control number is sh2005005294. Authority coordinates are -47.150, -70.667. 3 of 3 selected statements include explicit references; 1 carry qualifiers and 0 use preferred rank. The first chronological checks are 1964.

Critical limits

The absence of detail may reflect summary conventions rather than a lack of surviving documentation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

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Source & attribution

This entry incorporates text from “Cueva de las Manos” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.