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Catch a Fire

1973 studio album by Bob Marley & The Wailers

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 4, 2026
Entity authoritySource title only
Source-derived summary

Catch a Fire is the fifth studio album by the reggae band Bob Marley and the Wailers, released in April 1973. It was their first album released by Island Records. After finishing a UK tour with Johnny Nash, they had started laying down tracks for JAD Records when a disputed CBS contract with Danny Sims created tensions. The band did not have enough money to return to Jamaica, so their road manager Brent Clarke approached producer Chris Blackwell, who agreed to advance The Wailers money for an album. They used this money to pay their fares back home, where they completed the recordings that constitute Catch a Fire. The album has nine songs, two of which were written and composed by Peter Tosh; the remaining seven were by Bob Marley. While Bunny Wailer is not credited as a writer, the group's writing style was a collective process. For the immediate follow-up album, Burnin', also released in 1973, he contributed four songs. After Marley returned with the tapes to London, Blackwell reworked the tracks at Island Studios, with contributions by Muscle Shoals session musician Wayne Perkins, who played guitar on three overdubbed tracks. The album had a limited original release under the name The Wailers in a sleeve depicting a Zippo lighter, designed by graphic artists Rod Dyer and Bob Weiner; subsequent releases had an alternative cover designed by John Bonis, featuring an Esther Anderson portrait of Marley smoking a "spliff", and crediting the band as Bob Marley and the Wailers.

Editorial summary

Begin with the source’s own compact description: “Catch a Fire” is 1973 studio album by Bob Marley & The Wailers. The dossier treats that line as a proposition to test through Catch, Fire and studio, not as a finished interpretation.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—1973—that can be checked directly. The selected authority fields contribute no independent date. For this dossier, Catch, Fire and studio is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “1973 studio album by Bob Marley & The Wailers” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated Sep 4, 2026. The first chronological checks are 1973.

Critical limits

Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Catch a Fire”, its source revision and the description used here.
  2. Expand the search: follow Catch a Fire primary sources, Catch a Fire archive and Catch research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Catch a Fire”?
  2. Which edition, object, performance or recording is being described?
  3. Where is authorship, date or provenance documented?
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Source & attribution

This entry incorporates text from Catch a Fire” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.