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Catalogue of paintings in the National Gallery

painters in the collection of the National Gallery as listed by the Public Catalogue Foundation

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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 13, 2026
Entity authorityQ15956984 ↗
Source-derived summary

The Catalogue of paintings in the National Gallery, London is the collection catalogue listing the paintings of the National Gallery, London collection, as they were catalogued in 2010 by the Public Catalogue Foundation. The collection contains roughly 2,300 paintings by 750 artists, and only attributed artists are listed here. Painters with more than twenty works in the collection are Jean-Baptiste-Camille Corot, Carlo Crivelli, Anthony van Dyck, Francesco Guardi, Rembrandt van Rijn, Peter Paul Rubens, Jacob van Ruisdael, and David Teniers II. The only women artists with works in the collection are Artemisia Gentileschi, Marie Blancour, Rosa Bonheur, Rosalba Giovanna Carriera, Catharina van Hemessen, Judith Leyster, Rachel Ruysch, and Elisabeth Louise Vigée-LeBrun. The only British artists with works in the collection are William Boxall, John Constable, Thomas Gainsborough, William Hogarth, John Hoppner, John Callcott Horsley, John Jackson, Thomas Jones, Cornelis Janssens van Ceulen, Thomas Lawrence, John Linnell, Henry Raeburn, Joshua Reynolds, Martin Archer Shee, George Stubbs, Joseph Mallord William Turner, Richard Wilson, and Joseph Wright of Derby. However, because of the historical links between the National Gallery and its offshoot in the 19th century, Tate Britain, the National has in the past transferred and recalled works by British artists to and from its collection.

Some artists are represented in the collection with more than six artworks, but only a maximum of six per name are listed here.

A

Hans von Aachen (1552–1614) (Art UK): The Amazement of the Gods (Art UK)

Niccolò dell'Abbate (1509–1571) (Art UK): The Death of Eurydice (Art UK)

Johannes van der Aeck (1636–1682) (Art UK): An Old Woman seated sewing (Art UK)

Pieter Coecke van Aelst (1502–1550) (Art UK): Donatrix: Right Hand Shutter (Art UK), Donor: Left Hand Shutter (Art UK), The Archangel Gabriel: reverse of left-hand shutter (Art UK), The Crucifixion: Central Panel (Art UK), The Virgin and Child Enthroned (Art UK), The Virgin Annunciate: reverse of right-hand shutter (Art UK)

Andrea di Aloigi (1480–1521) (Art UK): The Virgin and Child (Art UK)

Albrecht Altdorfer (1480–1538) (Art UK): Christ Taking Leave of His Mother (Art UK), Landscape with a Footbridge (Art UK)

Jan van Amstel (c. 1500–1540) (Art UK): Itinerant Entertainers in a Brothel (Art UK)

Andrea di Bonaiuto da Firenze (active 1343–1377) (Art UK): The Virgin and Child with Ten Saints (Art UK)

Pierre Andrieu (1821–1892) (Art UK): Still Life with Fruit and Flowers (Art UK)

Fra Angelico (1387–1455) (Art UK): Christ Glorified in the Court of Heaven: central panel (Art UK), Saint Romulus: frame panel (Art UK), The Dominican Blessed: outer left panel (Art UK), The Dominican Blessed: outer right panel (Art UK), The Forerunners of Christ with Saints and Martyrs (Art UK), The Virgin Mary with the Apostles and Other Saints (Art UK)

Antonello da Messina (1430–1479) (Art UK): Christ Blessing (Art UK), Christ Crucified (Art UK), Portrait of a Man (Art UK), St. Jerome in His Study (Art UK), Salting Madonna (Art UK)

Apollonio di Giovanni di Tommaso (c. 1414–1465) (Art UK): Desco da parto (Art UK)

Arent Arentsz (1585–1631) (Art UK): Fishermen near Muiden Castle (Art UK)

Spinello Aretino (1330–1410) (Art UK): Decorative Border (Art UK), Decorative Border (Art UK), Saint Michael and Other Angels (Art UK), Two Haloed Mourners (Art UK)

Bernardino da Asola (c.

Editorial summary

Begin with the source’s own compact description: “Catalogue of paintings in the National Gallery” is painters in the collection of the National Gallery as listed by the Public Catalogue Foundation. The dossier treats that line as a proposition to test through Catalogue, paintings and National, not as a finished interpretation.

Editorial reviewA valuable geographic starting point for tracing changing names, boundaries, uses and administrative responsibility. The current lead gives the account dated anchors—2010, 1552, 1614, 1509—that can be checked directly. The linked authority record independently contributes the date 2012. For this dossier, Catalogue, paintings and National is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “painters in the collection of the National Gallery as listed by the Public Catalogue Foundation” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Maps, plans, fabric surveys and administrative records can establish how the site’s name, extent and function changed over time. The source revision retrieved here is dated Aug 13, 2026. The linked authority identifier is Q15956984. None of the 1 selected statements returned an explicit reference. The first chronological checks are 2010, 1552, 1614 and 1509.

Critical limits

Modern boundaries and familiar names can conceal earlier jurisdictions or structures that do not align with the present site. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Treat names, boundaries and functions as historically changeable. Maps, plans, inventories and administrative records can clarify what the place meant at different dates.

Best used for
  • Historic place names
  • Jurisdictional context
  • Routes into maps and plans
Verify next

Contemporary maps, plans, listed-building records, estate papers and the responsible local or national archive.

Three-step research path

  1. Establish the record: confirm the title “Catalogue of paintings in the National Gallery”, its source revision and the description used here.
  2. Expand the search: follow Catalogue of paintings in the National Gallery primary sources, Catalogue of paintings in the National Gallery archive and Catalogue research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Catalogue of paintings in the National Gallery”?
  2. What physical evidence or contemporary plan supports the description?
  3. Which authority defined the place, boundary or structure at the relevant date?
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Source & attribution

This entry incorporates text from “Catalogue of paintings in the National Gallery” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.