Mujeres Creando
Bolivian anarcho-feminist collective

Mujeres Creando (Eng: Women Creating) is a Bolivian anarcha-feminist collective that participates in a range of anti-poverty work, including propaganda, street theater and direct action. The group was founded by María Galindo, Mónica Mendoza and Julieta Paredes in 1992 and members including two of Bolivia's only openly lesbian activists. Other notable members include Yola Mamani.
Mujeres Creando publishes Mujer Pública (Eng: Public Woman), produces a weekly radio show, and maintains a cultural café named Virgen de los deseos (Eng: Virgin of Desires).
Founder Julieta Paredes described Mujeres Creando as "a 'craziness' started by three women (Julieta Paredes, María Galindo and Mónica Mendoza) from the arrogant, homophobic and totalitarian Left of Bolivia during the 1980s, where heterosexuality was still the model and feminism was understood to be divisive."
Mujeres Creando gained international attention due to their involvement in the 2001 occupation of the Bolivian Banking Supervisory Agency on behalf of Deudora, an organization of those indebted to microcredit institutions. The occupants, armed with dynamite and molotov cocktails, demanded total debt forgiveness and achieved some limited success. Julieta Ojeda Archived 2017-09-24 at the Wayback Machine, a member of Mujeres Creando, explains that "in reality the financial institutions were committing usury and extortion, cheating people and exploiting their ignorance, making them sign contracts that they didn’t understand." Mujeres Creando has denied that members directly participated in the occupation.
Since 2001, Mujeres Creando has been led by Maria Galindo; Mujeres Creando Comunidad was formed separately and propelled by Julieta Paredes.
On August 15, 2002, members of Mujeres Creando and supporters involved in the production of an educational film dealing with violence in relation to women's human rights were beaten by La Paz police. The police violence was condemned by the International Gay and Lesbian Human Rights Commission.
Begin with the source’s own compact description: “Mujeres Creando” is bolivian anarcho-feminist collective. The dossier treats that line as a proposition to test through Mujeres, Creando and Bolivian, not as a finished interpretation.
Why this record matters
The phrase “bolivian anarcho-feminist collective” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.
The citation trail is more important than the brevity of the summary: it shows where individual claims can be examined in context. The source revision retrieved here is dated Sep 21, 2026. The linked authority identifier is Q3327550. 1 of 2 selected statements include explicit references; 1 carry qualifiers and 0 use preferred rank. The first chronological checks are 1992, 2001, 2017 and 2002.
The absence of detail may reflect summary conventions rather than a lack of surviving documentation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.
How to read it
Use the entry as an orientation point, then follow its citations and revision history. Names, dates and institutional relationships should be checked against the original record.
- Subject orientation
- Search vocabulary
- Locating named sources
The closest primary source, responsible institution and strongest cited specialist reference.
Three-step research path
- Establish the record: confirm the title “Mujeres Creando”, its source revision and the description used here.
- Expand the search: follow Mujeres Creando primary sources, Mujeres Creando archive and Mujeres research across catalogues and specialist indexes.
- Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.
Questions for further research
- Which source most directly establishes the central claim about “Mujeres Creando”?
- Which cited source is closest to the event, object or claim?
- What terminology or title could unlock a more precise catalogue search?
Search terms from this dossier
This entry incorporates text from “Mujeres Creando” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.