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Captive Audience

non-fiction work by Susan P. Crawford

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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJul 2, 2026
Entity authorityQ15052193 ↗
Source-derived summary

Captive Audience: The Telecom Industry and Monopoly Power in the New Gilded Age is an American non-fiction book by the legal expert Susan P. Crawford.

Summary

It describes high-speed internet access in the United States as essential (like electricity) but currently too slow and too expensive. To enable widespread quality of life and to ensure national competitiveness "most Americans should have access to reasonably priced 1-Gb symmetric fiber-to-the-home networks." Crawford explains why the United States should revise national policy to increase competition in a market currently dominated by Comcast, Verizon Communications, AT&T, and Time Warner Cable. Meanwhile, towns and cities should consider setting up local networks after the example of pioneers such as Lafayette, Louisiana's LUSFiber and Chattanooga, Tennessee's EPB.

See also

Institute for Local Self-Reliance

Comcast NBC merger

Criticism of Comcast

Federal Communications Commission

National Broadband Plan (United States)

Municipal broadband

Cities with Municipal Wireless Networks

References

Further reading

Cecilia Kang (March 2, 2013). "Controversial activist takes on the telecom industry". Washington Post.

Brian X. Chen (February 19, 2013). "One on One: Susan P. Crawford, Author of 'Captive Audience'". New York Times.

Sam Gustin (January 9, 2013).

Editorial summary

The public source identifies “Captive Audience” as non-fiction work by Susan P. Crawford. This brief keeps that definition visible, then builds a research path around Captive, Audience and non-fiction.

Editorial reviewA practical starting point whose main value is the path it opens into stronger specialist and primary sources. The current lead gives the account dated anchors—2013—that can be checked directly. The linked authority record independently contributes the date 2013. Its value is orientation rather than verdict, with Captive, Audience and non-fiction providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “Captive Audience”, the useful work is to connect “non-fiction work by Susan P. Crawford” to the records capable of establishing context and consequence.

Evidence profile

The citation trail is more important than the brevity of the summary: it shows where individual claims can be examined in context. The source revision retrieved here is dated Jul 2, 2026. The linked authority identifier is Q15052193. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 2013.

Critical limits

A concise general-reference account can conceal disagreements about scope, terminology or the weight assigned to individual sources. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Use the entry as an orientation point, then follow its citations and revision history. Names, dates and institutional relationships should be checked against the original record.

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Source & attribution

This entry incorporates text from “Captive Audience” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.