Calabrian tarantella
musical-dancing expressions originating in Calabria

Calabrian tarantella, known in Italian as tarantella calabrese, is a generic term to include different musical-dancing expressions spread in Calabrian peninsula and different from other southern Italian dances called simply tarantella. It is played and danced during religious festivals and other social occasions. In recent times the tradition has been revived as new groups are taking an interest in instruments which had been falling into obscurity; they played "ad usu anticu" (in the old/traditional way) or they modernised the sound adding a bassline or new sounds.
Musical instruments
Musical instruments of Calabrian Tarantella are zampogna, substituted often by organetto, with tamburello; in some areas was used zampogna with pipita, and fischiotta, while in Locride and Monte Poro was used Calabrian lira. Rhythm is based on terzine with time in 12/8 and sometimes in 6/8.
Although there is homogeneity in tarantella played and danced in all Calabria, there are some geographical differences: there is libera in east catanzarese, sonu a ballu in Aspromonte, and zumparieddu in Sila and Viddanedda in Reggio Calabria and style differences: fimminina (female style), masculina (male style), libera.
Dance
Calabrian tarantella is a man-women couple dance, but it could be also man-man and woman-woman, in a circular space made of moving people named rota ('wheel').
U mastru i ballu ('Master of dance') decide the order of the dancers inside rota managed turns.
Players outside rota follow and feel dancers and change music rhythm.
In the past, during dancing, the people created a unique rota in the square where they danced.
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