Buddy Rich in Miami
1958 live album by Buddy Rich
Buddy Rich in Miami is a 1958 Verve live album by Buddy Rich featuring Flip Phillips recorded at the Dream Bar of the Johnina Hotel in Miami Beach, Florida in 1957.
The album has been re-issued on CD alone and also, as Live in Miami with Flip Phillips, together with several additional tracks from a 1954 Rich/Phillips LA studio recording session with the Oscar Peterson Trio.
Track listing
Buddy Rich in Miami
"Lover, Come Back to Me" (Oscar Hammerstein II, Sigmund Romberg)
"Topsy" (Edgar Battle, Eddie Durham)
"Undecided" (Leo Robin, Charlie Shavers)
"Broadway" (Billy Bird, Teddy McRae, Henri Woode)
"Jumpin' at the Woodside" (Basie) – 10:11
Live in Miami with Flip Phillips re-issue
"Lover, Come Back to Me"
"Topsy"
"Undecided"
"Broadway"
"Jumpin' at the Woodside
"Lemon Aid 21"
"I'll Never Be The Same"
"All of Me"
"I've Got the World on a String"
"Almost Like Being in Love"
"The Lady's in Love with You"
"Singing the Blues"
"Birth of the Blues"
Personnel
Buddy Rich in Miami / Live in Miami... (tracks 1–5)
Buddy Rich - drums
Flip Phillips - tenor saxophone
Ronnie Ball - piano
Peter Ind - double bass
Live in Miami...
This brief starts where responsible research should: with the source description of “Buddy Rich in Miami” as 1958 live album by Buddy Rich. Everything that follows is an evidence route, not borrowed authority.
Why this record matters
The subject matters to the arts & letters register because the source frames it as 1958 live album by Buddy Rich. Its deeper value depends on whether names, dates, institutions and citations support that framing.
Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated Apr 18, 2026. The linked authority identifier is Q16245012. None of the 1 selected statements returned an explicit reference. The first chronological checks are 1958, 1957 and 1954.
Rights, attribution and provenance may remain disputed even when a general reference summary presents a stable account. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.
How to read it
Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.
- Identifying works and editions
- Tracing reception history
- Finding collection records
The original object or edition, catalogue raisonné, performance record, rights file and holding institution.
Three-step research path
- Establish the record: confirm the title “Buddy Rich in Miami”, its source revision and the description used here.
- Expand the search: follow Buddy Rich in Miami primary sources, Buddy Rich in Miami archive and Buddy research across catalogues and specialist indexes.
- Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.
Questions for further research
- Which source most directly establishes the central claim about “Buddy Rich in Miami”?
- Where is authorship, date or provenance documented?
- Which edition, object, performance or recording is being described?
Search terms from this dossier
This entry incorporates text from “Buddy Rich in Miami” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.