CACrown ArchivesThe cinema collection
Menu
Research dossier · Arts & Letters

Broken Ones (EP)

album by Jacquie Lee

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionDec 21, 2025
Entity authorityQ28452177 ↗
Source-derived summary

Broken Ones is the debut extended play recorded by American singer and runner-up of the fifth season of The Voice Jacquie Lee. It was released through Atlantic Records and 300 Entertainment on October 21, 2014. A cover of Cyndi Lauper's 1983 hit, "Girls Just Want to Have Fun" is included along with four original songs co-written by popular songwriters such as Sia and Andreas Carlsson. The EP failed to reach the Billboard 200, but did peak at 193 on the Top Current Albums component chart.

Singles

The title track, "Broken Ones", was released to digital retailers as the lead single and Lee's debut post-Voice release on May 13, 2014. It entered the Pop Digital Songs sales chart at 36. The song was serviced to hot adult contemporary radio through 300 Entertainment on June 16, 2014.

"Tears Fall" was first released digitally on October 7, 2014, as a promotional single in support of pre-orders. It was later selected as the second official single and was scheduled to impact adult and pop radio on February 23, 2015, but its release was delayed and the song instead impacted on March 9, 2015.

Critical reception

Jason Scott of PopDust rated the EP four stars out of five and praised Lee's "uncanny maturity" on the record.

Editorial summary

The public source identifies “Broken Ones (EP)” as album by Jacquie Lee. This brief keeps that definition visible, then builds a research path around Broken, Ones and album.

Editorial reviewA productive route into publication, performance and collection histories when the underlying object or edition remains clearly identified. The current lead gives the account dated anchors—2014, 1983, 2015—that can be checked directly. The linked authority record independently contributes the date 2014. Its value is orientation rather than verdict, with Broken, Ones and album providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “Broken Ones (EP)”, the useful work is to connect “album by Jacquie Lee” to the records capable of establishing context and consequence.

Evidence profile

Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Dec 21, 2025. The linked authority identifier is Q28452177. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 2014, 1983 and 2015.

Critical limits

Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Broken Ones (EP)”, its source revision and the description used here.
  2. Expand the search: follow Broken Ones (EP) primary sources, Broken Ones (EP) archive and Broken research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Broken Ones (EP)”?
  2. Which edition, object, performance or recording is being described?
  3. How did later circulation or interpretation alter the work’s reception?
Subject index

Search terms from this dossier

Source & attribution

This entry incorporates text from “Broken Ones (EP)” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.