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Blues Anytime

compilation album seriies

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionMay 10, 2024
Entity authorityQ4930446 ↗
Source-derived summary

Blues Anytime: An Anthology of British Blues is a series of compilation albums featuring tracks from various British blues artists. Three volumes were released by Immediate Records in 1968, followed by Blues Leftovers in 1969.

The albums feature various tracks from such artists as John Mayall, Tony McPhee, Savoy Brown Blues Band, Jo Ann Kelly, Jeremy Spencer, Cyril Davies, Stuff Smith, Albert Lee, Dave Kelly and Rod Stewart and were also the first release of several exclusive tracks recorded for Immediate between 1965 and '67. These include recordings by Jimmy Page with Jeff Beck, Nicky Hopkins and the All-Stars, plus seven instrumentals recorded by Page and Eric Clapton, backed by members of The Rolling Stones (Bill Wyman, bass, Mick Jagger, harmonica and Ian Stewart, keyboard) and the only recorded output by Santa Barbara Machine Head.

Reissues

When Immediate initially released the original Blues Anytime albums in the USA, the first two volumes were simply titled An Anthology of British Blues, with the third volume renamed as The Beginning: British Blues.

The Blues Anytime tracks were released again by Immediate in 1969 as two double albums titled Anthology of British Blues, albeit presented in a different running order. The first was made up of Vol. 1 side A, Leftovers side A, Vol. 3 side A and Vol. 2 side B, with the second being Vol.

Editorial summary

“Blues Anytime” enters the record as compilation album seriies. Crown Archives preserves that source wording while asking what Blues, Anytime and compilation can confirm, complicate or overturn.

Editorial reviewA productive route into publication, performance and collection histories when the underlying object or edition remains clearly identified. The current lead gives the account dated anchors—1968, 1969, 1965—that can be checked directly. The linked authority record independently contributes the date 1968-01-01. Its strongest next move is a source search built around Blues, Anytime and compilation.
Editorial analysis

Why this record matters

“Blues Anytime” is worth following because a concise public description often conceals a longer documentary argument. Here, Blues, Anytime and compilation provides the most credible route into that argument.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated May 10, 2024. The linked authority identifier is Q4930446. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1968, 1969 and 1965.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Blues Anytime”, its source revision and the description used here.
  2. Expand the search: follow Blues Anytime primary sources, Blues Anytime archive and Blues research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Blues Anytime”?
  2. Which edition, object, performance or recording is being described?
  3. How did later circulation or interpretation alter the work’s reception?
Subject index

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Source & attribution

This entry incorporates text from “Blues Anytime” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.