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Bring Ya to the Brink

album by Cyndi Lauper

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionMay 26, 2026
Entity authorityQ2603930 ↗
Source-derived summary

Bring Ya to the Brink is American singer Cyndi Lauper's tenth studio album, released on May 14, 2008 in Japan, and 13 days later worldwide. The album is a collection of dance-oriented songs and features collaborations with Basement Jaxx, Richard Morel, Max Martin and Kleerup, among others. Regarded as one of the singer's best works at the time it was released, the Songwriters Hall of Fame has regarded the album track "High and Mighty" as one of Lauper's key songs. The album received a nomination for Best Dance/Electronica Album at the 51st Annual Grammy Awards. The song "Set Your Heart" was released as a promotional single in Japan in early 2008, while "Same Ol' Story" was the first official single released on May 6, 2008. "Into the Nightlife" was released as the second single.

The album is Lauper's last release to date of original material in addition to being her last for Epic Records, her label since her 1983 debut solo album She's So Unusual. The album debuted at #41 on the Billboard 200, with 12,000 copies sold. A remix album, titled Floor Remixes, was released exclusively in Japan on February 18, 2009, in a CD-only edition and a limited edition that featured a CD and a DVD, it reached the position of #102 on the Oricon charts. To promote the remix album, a mashup of "Girls Just Want to Have Fun" and "Set Your Heart" was made by Richard Morel.

Editorial summary

“Bring Ya to the Brink” enters the record as album by Cyndi Lauper. Crown Archives preserves that source wording while asking what Bring, Brink and album can confirm, complicate or overturn.

Editorial reviewA productive route into publication, performance and collection histories when the underlying object or edition remains clearly identified. The current lead gives the account dated anchors—2008, 1983, 2009—that can be checked directly. The linked authority record independently contributes the date 2008. Its strongest next move is a source search built around Bring, Brink and album.
Editorial analysis

Why this record matters

“Bring Ya to the Brink” is worth following because a concise public description often conceals a longer documentary argument. Here, Bring, Brink and album provides the most credible route into that argument.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated May 26, 2026. The linked authority identifier is Q2603930. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 2008, 1983 and 2009.

Critical limits

Rights, attribution and provenance may remain disputed even when a general reference summary presents a stable account. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

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  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
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The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Bring Ya to the Brink”, its source revision and the description used here.
  2. Expand the search: follow Bring Ya to the Brink primary sources, Bring Ya to the Brink archive and Bring research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Bring Ya to the Brink”?
  2. Which edition, object, performance or recording is being described?
  3. How did later circulation or interpretation alter the work’s reception?
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Source & attribution

This entry incorporates text from “Bring Ya to the Brink” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.