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Bring On the Lucie (Freda Peeple)

song performed by John Lennon

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 23, 2026
Entity authorityQ4386152 ↗
Source-derived summary

"Bring on the Lucie (Freda Peeple)" is a protest song written and performed by John Lennon from his 1973 album Mind Games.

Background

The song dates from late 1971, starting out as little more than a chorus, after Lennon acquired a National guitar. After working on the lyrics, the song went from a simple political slogan to a full-blown statement that hints at his earlier work, such as "Imagine" and "Power to the People".

Reception

Classic Rock critic Rob Hughes rated "Bring on the Lucie (Freda Peeple)" as Lennon's 7th best political song, praising Lennon's vocal performance and David Spinozza's guitar groove, saying that "this anti-Vietnam address also acts as a scathing rebuttal of self-seeking politics." Ultimate Classic Rock critic Nick DeRiso rated it as Lennon's 7th greatest solo political song, praising David Spinozza's slide guitar and saying that the song "eviscerates lying politicians while making an impassioned call (stop the killing!) for the end of the ongoing Vietnam conflict."

In the media

Two versions of the song, both performed by Lennon, appear in the 2006 film Children of Men. The standard version of the song (originally released on the Mind Games album) is heard during the course of the film, and an alternate version of the song, originally released on the 1998 John Lennon Anthology boxed set, is featured over the closing credits. The John Lennon Anthology version of the song also appears on the film's soundtrack along with a cover version by Junior Parker of "Tomorrow Never Knows," a song Lennon wrote for the Beatles album Revolver.

The song is also played during the closing credits of the 2022 Judd Apatow HBO documentary George Carlin's American Dream.

Personnel

Per Mind Games album booklet:

John Lennon – vocals, acoustic guitar, electric guitar, maracas, tambourine

Pete Kleinow – pedal steel guitar

Ken Ascher – piano, electric piano

Gordon Edwards – bass guitar

Jim Keltner – drums, cowbell

Rick Marotta – bongos

Something Different (Christine Wiltshire, Jocelyn Brown, Kathy Mull, Angel Coakley) – backing vocals

Covers

Julie Felix recorded a cover in 1980 on her album Colours in the Rain.

Richard Ashcroft released a cover of the song on 19 February 2021.

Editorial summary

This brief starts where responsible research should: with the source description of “Bring On the Lucie (Freda Peeple)” as song performed by John Lennon. Everything that follows is an evidence route, not borrowed authority.

Editorial reviewA productive route into publication, performance and collection histories when the underlying object or edition remains clearly identified. The current lead gives the account dated anchors—1973, 1971, 2006, 1998—that can be checked directly. The selected authority fields contribute no independent date. The account is most persuasive where Bring, Lucie and Freda can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the arts & letters register because the source frames it as song performed by John Lennon. Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Sep 23, 2026. The linked authority identifier is Q4386152. None of the 0 selected statements returned an explicit reference. The first chronological checks are 1973, 1971, 2006 and 1998.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Bring On the Lucie (Freda Peeple)”, its source revision and the description used here.
  2. Expand the search: follow Bring On the Lucie (Freda Peeple) primary sources, Bring On the Lucie (Freda Peeple) archive and Bring research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Bring On the Lucie (Freda Peeple)”?
  2. How did later circulation or interpretation alter the work’s reception?
  3. Which edition, object, performance or recording is being described?
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Source & attribution

This entry incorporates text from “Bring On the Lucie (Freda Peeple)” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.