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The Love of a Thief

1920 film

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionMar 4, 2026
Entity authorityQ27229710
Source-derived summary

The Love of a Thief (German: Brigantenliebe) is a 1920 German silent adventure film directed by Martin Hartwig and starring Ellen Richter, Hans Adalbert Schlettow and Emil Rameau.

The film's sets were designed by the art director Jack Winter.

Cast

Ellen Richter as Fianetta

Hans Adalbert Schlettow as Bandit Carlo

Julius Falkenstein as Piselli

Hugo Flink

Reinhold Köstlin

Artur Menzel

Poldi Müller as Bianca

Emil Rameau as Castrozzo

Tilly Wötzel as Castrozzo's daughter

References

Bibliography

Grange, William. Cultural Chronicle of the Weimar Republic. Scarecrow Press, 2008.

Editorial summary

Begin with the source’s own compact description: “The Love of a Thief” is 1920 film. The dossier treats that line as a proposition to test through Love, Thief and film, not as a finished interpretation.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—1920, 2008—that can be checked directly. The linked authority record independently contributes the date 1920. For this dossier, Love, Thief and film is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “1920 film” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Mar 4, 2026. The linked authority identifier is Q27229710. None of the 1 selected statements returned an explicit reference. The first chronological checks are 1920 and 2008.

Critical limits

Rights, attribution and provenance may remain disputed even when a general reference summary presents a stable account. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “The Love of a Thief”, its source revision and the description used here.
  2. Expand the search: follow The Love of a Thief primary sources, The Love of a Thief archive and Love research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “The Love of a Thief”?
  2. Where is authorship, date or provenance documented?
  3. Which edition, object, performance or recording is being described?
Subject index

Search terms from this dossier

Source & attribution

This entry incorporates text from The Love of a Thief” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.