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Victor Brecheret

Brazilian sculptor (1894–1955)

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General referenceInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 4, 2026
Entity authorityQ1797505 ↗
Source-derived summary

Victor Brecheret, born Vittorio Breheret (December 15, 1894 – December 17, 1955), was an Italian-Brazilian sculptor. He lived most of his life in São Paulo, except for his studies in Paris in his early twenties. Brecheret's work combines techniques of European modernist sculpture with references to his native country through the physical characteristics of his human forms and visual motifs drawn from Brazilian folk art. Many of his subjects are figures from the Bible or classical mythology.

Biography

Brecheret was one of the first Brazilian modernists to achieve success. In 1921 his sculpture Eve was acquired by the São Paulo city hall. In 1922 his work was exhibited in the foyer of the Municipal Theatre during the Week of Modern Art (Semana de Arte Moderna). His O Grupo was acquired by the French government in 1934 for the Musée du Jeu de Paume; it was later moved to the public library at La Roche-sur-Yon, where it remains on display. His best-known work, the massive Monument to the Banderas (Monumento às Bandeiras) at the entrance of Ibirapuera Park in São Paulo, was proposed (in the form of a plaster miniature) in 1920, begun in 1936, and completed on January 25, 1953.

Birthplace controversy

Brecheret's Brazilian birth certificate lists his birthplace as São Paulo.

Editorial summary

This brief starts where responsible research should: with the source description of “Victor Brecheret” as brazilian sculptor (1894–1955). Everything that follows is an evidence route, not borrowed authority.

Editorial reviewA dependable orientation record for establishing vocabulary, names and a first evidence trail. The current lead gives the account dated anchors—1894, 1955, 1921, 1922—that can be checked directly. The linked authority record independently contributes the date 1894-12-15. The account is most persuasive where Victor, Brecheret and Brazilian can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the general reference register because the source frames it as brazilian sculptor (1894–1955). Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

Named sources, stable identifiers and responsible institutions provide the strongest route from overview to verifiable evidence. The source revision retrieved here is dated Aug 4, 2026. The linked authority identifier is Q1797505. VIAF identifies the subject as 56883982. The Library of Congress control number is n78064410. 3 of 3 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1894, 1955, 1921 and 1922.

Critical limits

A concise general-reference account can conceal disagreements about scope, terminology or the weight assigned to individual sources. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Use the entry as an orientation point, then follow its citations and revision history. Names, dates and institutional relationships should be checked against the original record.

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Questions for further research

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Source & attribution

This entry incorporates text from “Victor Brecheret” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.