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Bolossy Kiralfy

Performer, producer, writer and creator of musical spectacles

Correspondence, annotated notebooks and portrait silhouettes prepared for research
People and ideasInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionDec 22, 2025
Entity authorityQ4940001 ↗
Source-derived summary

Bolossy Kiralfy (1848–1932), one of The Kiralfy Brothers, was a performer, producer, writer and creator of musical extravaganzas in the late 19th, early 20th centuries. He was a "great international showman" and ushered in the "era of the Spectacle". Bolossy Kiralfy, born January 31, 1847, in Pest—(since 1873 incorporated with Buda and Óbuda into Budapest)—and died March 6, 1932, in London, England. Elise Marie Waldau, was his first wife which he married approximately 1874 and divorced 1899. His second wife, Helen (Nellie) Dawnay was married on November 23, 1899, in London, England.

Productions and engagements

1892 - Engaged by Palisades Amusement and Exhibition Company to serve as the General Manager and Amusement Director of the Eldorado Amusement Park in Weehawken, New Jersey. For this production, he traveled to Europe to engage artists.

Humpty Dumpty

The pantomime musical broadway adaptation of nursery rhyme figure Humpty Dumpty debuted at the Olympic Theatre, (8/31/1871 - 6/11/1872), George L. Fox (clown), named stage manager in 1866, performed.

Siege of Troy

Siege of Troy Production : The Siege of Troy from the Trojan War performed.

The Orient

"The Orient" was an outdoor musical spectacle performed at the Toronto Industrial Exhibition of 1902 in Toronto, Canada.

Editorial summary

This brief starts where responsible research should: with the source description of “Bolossy Kiralfy” as performer, producer, writer and creator of musical spectacles. Everything that follows is an evidence route, not borrowed authority.

Editorial reviewStrongest as a route into the people, institutions and dated events that shaped the subject’s public record. The current lead gives the account dated anchors—1848, 1932, 1847, 1873—that can be checked directly. The authority record carries competing date values—1848, 1847-01-01—which should remain separate until their references and qualifiers are resolved. The account is most persuasive where Bolossy, Kiralfy and Performer can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the people & ideas register because the source frames it as performer, producer, writer and creator of musical spectacles. Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

The entry’s evidential value lies in the named roles, institutions and publications that can be tested against primary documentation. The source revision retrieved here is dated Dec 22, 2025. The linked authority identifier is Q4940001. VIAF identifies the subject as 110126746. The Library of Congress control number is n88033227. 1 of 4 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1848, 1932, 1847 and 1873.

Critical limits

Later biographies can compress uncertainty and repeat inherited reputations, so apparently settled claims may still require comparison. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.

Best used for
  • Establishing names and roles
  • Building a first chronology
  • Locating cited institutions
Verify next

Personal papers, civil or court records, institutional files and the scholarship cited by the source.

Three-step research path

  1. Establish the record: confirm the title “Bolossy Kiralfy”, its source revision and the description used here.
  2. Expand the search: follow Bolossy Kiralfy primary sources, Bolossy Kiralfy archive and Bolossy research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Bolossy Kiralfy”?
  2. Which claims depend on a single source or contested interpretation?
  3. Which primary records establish identity, chronology and institutional ties?
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Source & attribution

This entry incorporates text from “Bolossy Kiralfy” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.