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Black and White Rag

song

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 8, 2026
Entity authorityQ4922240 ↗
Source-derived summary

The "Black and White Rag" is a 1908 ragtime composition by George Botsford.

The song was recorded widely for both the phonograph and player piano, and was the third ragtime composition to sell over one million copies of sheet music. Early recordings were typically by bands; the first recording was performed by the American Symphony Orchestra for an Edison cylinder release.[a] The first known piano recording of the piece was by Albert Benzler, recorded on Lakeside/U.S.Everlasting Cylinder #380 in June 1911.[a] This recording is somewhat rare (Lakeside/U.S.Everlasting cylinders, though molded celluloid on a wax/fiber core, were made in small batches).

Pianist Wally Rose revitalized interest in the song with his 1941 recording, leading to one of the best-known versions: a 1952 recording by Trinidadian pianist Winifred Atwell, which helped her to establish an international profile. Originally the B-side of another composition, "Cross Hands Boogie", "Black and White Rag" was championed by the popular disc jockey Jack Jackson, and started a craze for Atwell's honky-tonk style of playing. The recording became a million selling gold record, and in the United Kingdom was later used as the theme tune for the long-running BBC2 television snooker tournament, Pot Black.

"Black and White" Rag was also later arranged for use as the music in the 1985 BBC Computer game Repton and some of its sequels.

The piece has also become a fiddle standard since as early as the 1930s, with recordings by musicians such as Johnny Gimble and Benny Thomasson.

Notes

a The first recording (and, additionally, first piano recording) is actually a part of "Fun at the Music Counter", a vaudeville skit recorded by Len Spencer; however this recording is arranged and not a complete musical recording of the song.

References

Links

The first known piano recording mentioned above can be heard here.

Editorial summary

The public source identifies “Black and White Rag” as song. This brief keeps that definition visible, then builds a research path around Black, White and song.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current lead gives the account dated anchors—1908, 1911, 1941, 1952—that can be checked directly. The selected authority fields contribute no independent date. Its value is orientation rather than verdict, with Black, White and song providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “Black and White Rag”, the useful work is to connect “song” to the records capable of establishing context and consequence.

Evidence profile

Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Sep 8, 2026. The linked authority identifier is Q4922240. None of the 0 selected statements returned an explicit reference. The first chronological checks are 1908, 1911, 1941 and 1952.

Critical limits

Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

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  • Identifying works and editions
  • Tracing reception history
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The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Black and White Rag”, its source revision and the description used here.
  2. Expand the search: follow Black and White Rag primary sources, Black and White Rag archive and Black research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

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Source & attribution

This entry incorporates text from “Black and White Rag” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.