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Bill Evans Trio with Symphony Orchestra

album by Bill Evans and his Trio

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionApr 18, 2026
Entity authorityQ2903202 ↗
Source-derived summary

Bill Evans Trio with Symphony Orchestra is an album by American jazz pianist Bill Evans and his trio, released in 1966, featuring jazz arrangements of works by classical composers Granados, J.S. Bach, Scriabin, Fauré, and Chopin. The trio is accompanied by an orchestra consisting of strings and woodwinds arranged and conducted by Claus Ogerman. Originals by both Evans and Ogerman are also included.

The opening track, "Granadas," is based on the "maiden" theme of Granados's "The Maiden and the Nightingale" from his piano suite Goyescas but does not employ the "nightingale" theme. The two Evans originals, "Time Remembered" and "My Bells," had previously been recorded by a quintet led by Evans, featuring saxophonist Zoot Sims and guitarist Jim Hall; but since the pianist did not approve the release of that album, which appeared only posthumously, this was the first time recordings of these pieces reached the public. The Ogerman piece, "Elegia," is adapted from his Concerto for Orchestra and Jazz Piano.

Evans stated, "I really enjoyed making this album with Claus and record my deepest respect and admiration for him." The pianist would go on to make another orchestral album with Ogerman, Symbiosis, in 1974.

In 1967, Hellas Music Corp published a set of transcriptions of the arrangements for the Bill Evans Trio with Symphony Orchestra LP. The recording was issued on compact disc by Verve Records in 1984.

Reception

The album divided critical opinion. Scott Yanow stated in his AllMusic review: "This collaboration ...

Editorial summary

Begin with the source’s own compact description: “Bill Evans Trio with Symphony Orchestra” is album by Bill Evans and his Trio. The dossier treats that line as a proposition to test through Bill, Evans and Trio, not as a finished interpretation.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current lead gives the account dated anchors—1966, 1974, 1967, 1984—that can be checked directly. The linked authority record independently contributes the date 1966. For this dossier, Bill, Evans and Trio is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “album by Bill Evans and his Trio” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Apr 18, 2026. The linked authority identifier is Q2903202. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1966, 1974, 1967 and 1984.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Bill Evans Trio with Symphony Orchestra”, its source revision and the description used here.
  2. Expand the search: follow Bill Evans Trio with Symphony Orchestra primary sources, Bill Evans Trio with Symphony Orchestra archive and Bill research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Bill Evans Trio with Symphony Orchestra”?
  2. Which edition, object, performance or recording is being described?
  3. Where is authorship, date or provenance documented?
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Source & attribution

This entry incorporates text from “Bill Evans Trio with Symphony Orchestra” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.