Symphony No. 5 (Beethoven)
symphony by Ludwig van Beethoven

The Symphony No. 5 in C minor, Op. 67 (occasionally known as the Fate Symphony, German: Schicksalssinfonie), is a symphony composed by Ludwig van Beethoven between 1804 and 1808. It is one of the best-known of all symphonies and one of the most frequently played. First performed in Vienna in 1808, the work achieved its strong critical reputation not long afterward; E. T. A. Hoffmann described it as "one of the most important works of the time".
The 5th Symphony has 4 movements. It begins with a distinctive 4-note "short-short-short-long" motif, often characterized as "fate knocking at the door", the Schicksals-Motiv (fate motif). Sometimes this motif is remembered as "da-da-da-dum" or "da da da DUM".
History
Composition
The 5th Symphony falls squarely within what is called Beethoven's "Middle Period" of composition, starting from about 1803, when Beethoven chose to launch new works of unprecedented scope and ambition, often emphasizing the musical portrayal of heroism, as in the 3rd Symphony and the opera Fidelio. The process of composition for the 5th Symphony was lengthy and had frequent interruptions; the first sketches date from 1804, following the completion of the 3rd Symphony.
This brief starts where responsible research should: with the source description of “Symphony No. 5 (Beethoven)” as symphony by Ludwig van Beethoven. Everything that follows is an evidence route, not borrowed authority.
Why this record matters
The subject matters to the general reference register because the source frames it as symphony by Ludwig van Beethoven. Its deeper value depends on whether names, dates, institutions and citations support that framing.
Vocabulary and entity names are the principal evidence signals here, because they determine the precision of every later search. The source revision retrieved here is dated Sep 19, 2026. The linked authority identifier is Q188709. VIAF identifies the subject as 177809800. The Library of Congress control number is n81072943. 3 of 4 selected statements include explicit references; 1 carry qualifiers and 0 use preferred rank. The first chronological checks are 1804, 1808 and 1803.
Overview language is designed for orientation and should not be treated as a substitute for the evidence cited beneath it. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.
How to read it
Use the entry as an orientation point, then follow its citations and revision history. Names, dates and institutional relationships should be checked against the original record.
- Subject orientation
- Search vocabulary
- Locating named sources
The closest primary source, responsible institution and strongest cited specialist reference.
Three-step research path
- Establish the record: confirm the title “Symphony No. 5 (Beethoven)”, its source revision and the description used here.
- Expand the search: follow Symphony No. 5 (Beethoven) primary sources, Symphony No. 5 (Beethoven) archive and Symphony research across catalogues and specialist indexes.
- Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.
Questions for further research
- Which source most directly establishes the central claim about “Symphony No. 5 (Beethoven)”?
- Which institution is responsible for the underlying evidence?
- Which cited source is closest to the event, object or claim?
Search terms from this dossier
This entry incorporates text from “Symphony No. 5 (Beethoven)” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.