Beata Asimakopoulou
Greek actress (1932–2009)
Beata Asimakopoulou (Greek: Μπεάτα Ασημακοπούλου; 28 June 1932 – 20 April 2009) was a Greek actress.
Family
She was married to Greek film director Orestis Laskos; they had at least one child, a son, Vassilis Laskos. She died of cancer.
Career
She appeared in the following:
Koroido en 'taxei' (2007)
"Lista gamou" (2003) TV series
"Happy End" (2002) (TV)
"Dilimmata" (1997) TV series
Eleftheri katadysi (1995)
Afto to koritsi, poios tha to parei? (1985)
Thymisou ton Septemvri (1985)
Agapi mou Oua-Oua (1974)
Pavlos Melas (1973)
Gia poion htypa i... koudouna (1968)
O emporakos (1967)
O hazobabas (1967)
To ploio tis haras (1967)
Anthropos gia oles tis douleies (1966)
Beethoven kai bouzouki (1965)
O ouranokatevatos (1965)
Praktores 005 enantion Hrysopodarou (1965)
Allos... gia to ekatommyrio! (1964)
Kosmos kai kosmakis (1964)
O eaftoulis mou (1964)
Triti kai 13 (1963)
Zileia (1963)
Dyo manes sto stavro tou ponou (1962)
Klapse, ftohi mou kardia (1962)
Lafina (1962)
O gabros mou, o dikigoros!
This brief starts where responsible research should: with the source description of “Beata Asimakopoulou” as greek actress (1932–2009). Everything that follows is an evidence route, not borrowed authority.
Why this record matters
The subject matters to the people & ideas register because the source frames it as greek actress (1932–2009). Its deeper value depends on whether names, dates, institutions and citations support that framing.
Biographical claims are most persuasive when dates, appointments and relationships can be traced to records created close to the events described. The source revision retrieved here is dated May 30, 2026. The linked authority identifier is Q1936269. VIAF identifies the subject as 316738444. 2 of 2 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1932, 2009, 2007 and 2003.
Public reputation and documentary evidence do not always develop together; absence from a summary is not evidence of historical absence. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.
How to read it
Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.
- Establishing names and roles
- Building a first chronology
- Locating cited institutions
Personal papers, civil or court records, institutional files and the scholarship cited by the source.
Three-step research path
- Establish the record: confirm the title “Beata Asimakopoulou”, its source revision and the description used here.
- Expand the search: follow Beata Asimakopoulou primary sources, Beata Asimakopoulou archive and Beata research across catalogues and specialist indexes.
- Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.
Questions for further research
- Which source most directly establishes the central claim about “Beata Asimakopoulou”?
- Which primary records establish identity, chronology and institutional ties?
- How has the subject’s reputation changed across later accounts?
Search terms from this dossier
This entry incorporates text from “Beata Asimakopoulou” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.