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David Bason

musical artist

Correspondence, annotated notebooks and portrait silhouettes prepared for research
People and ideasInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionMar 19, 2026
Entity authorityQ51559480 ↗
Source-derived summary

David Bason (born February 22, 1973) is a music manager and record executive. Working in A&R at RCA Records, Roadrunner Records, Decca Records, Century Media Records and Red Bull Records, he signed The Strokes, The Dresden Dolls, Amanda Palmer, New York Dolls, Matt Skiba, Blaqk Audio, Jesse Malin, Badflower and The Cult.

Artist management

Bason has managed Thirty Seconds To Mars, James Iha (Smashing Pumpkins/A Perfect Circle), Laura Jane Grace, Flora Cash, Cerebral Ballzy, Beta Radio, Justin Tranter's band Semi Precious Weapons, Pink Mountaintops, Black Mountain, Zipper Club, Strand of Oaks, The Joy Formidable, The Devil Makes Three, Ron Gallo, and Blondfire, as well as Grammy-winning, platinum producer/engineers, including Ryan Hadlock (Zach Bryan, The Lumineers, Brandi Carlile, Vance Joy) Karen Kosowski (Mickey Guyton, Pentatonix) Ted Hutt (Dropkick Murphys, Gaslight Anthem, Old Crow Medicine Show), David Kahne (Lana Del Rey, Sublime), Dennis Herring (Elvis Costello, Counting Crows), Jon Kaplan (Cage the Elephant, Gavin DeGraw), David Bendeth (Paramore, Bring Me The Horizon), Elvis Baskette (Slash, Incubus) Chris Shaw (Public Enemy, Bob Dylan), and Kenny Carkeet (Night Riots, Bear Hands).

Career

Bason began his career as tour manager of Treble Charger in 1997, where he met David Bendeth, a subsequent management client. In 2001, after leading the charge at RCA Records to sign the band The Strokes, Bason began running the alternative arm of Roadrunner Records, where his first signing was The Dresden Dolls – whose lead singer Amanda Palmer went on to become a Kickstarter cover girl and New York Times Best-Selling author, as well as signing The Cult and The New York Dolls for their 2006 comeback album, One Day It Will Please Us To Remember Even This.

In 2006, Bason founded the Universal Music-distributed Stay Gold Records where he signed punk rock bands and produced several dub reggae remixes.

In 2009, after seven years at Roadrunner Records and A&R stints with Red Bull Records, Decca Records and Century Media records (where he signed Alkaline Trio's Matt Skiba and an AFI side project), Bason was recruited to join the LA-based boutique firm The MGMT Company. While there, Bason managed Thirty Seconds to Mars, the Atlanta-based group The Constellations (Virgin Records), guided the indie-pop band Blondfire to a bidding war deal with Warner Bros., and signed the infamous New York black punk band Cerebral Ballzy to Julian Casablancas' Cult Records label.

In 2014, Bason was asked by Phil McGraw to be president of Hundred Handed Records which released Coheed and Cambria's albums including The Color Before the Sun.

Bason has headed the west coast at 7S Management since 2019.

Editorial summary

The public source identifies “David Bason” as musical artist. This brief keeps that definition visible, then builds a research path around David, Bason and musical.

Editorial reviewA useful biographical orientation record, particularly for establishing names, roles and a first chronology. The current lead gives the account dated anchors—1973, 1997, 2001, 2006—that can be checked directly. The linked authority record independently contributes the date 1973-02-22. Its value is orientation rather than verdict, with David, Bason and musical providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “David Bason”, the useful work is to connect “musical artist” to the records capable of establishing context and consequence.

Evidence profile

The entry’s evidential value lies in the named roles, institutions and publications that can be tested against primary documentation. The source revision retrieved here is dated Mar 19, 2026. The linked authority identifier is Q51559480. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1973, 1997, 2001 and 2006.

Critical limits

Public reputation and documentary evidence do not always develop together; absence from a summary is not evidence of historical absence. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.

Best used for
  • Establishing names and roles
  • Building a first chronology
  • Locating cited institutions
Verify next

Personal papers, civil or court records, institutional files and the scholarship cited by the source.

Three-step research path

  1. Establish the record: confirm the title “David Bason”, its source revision and the description used here.
  2. Expand the search: follow David Bason primary sources, David Bason archive and David research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

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  3. How has the subject’s reputation changed across later accounts?
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Source & attribution

This entry incorporates text from “David Bason” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.