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Barry Douglas (pianist)

musician from Belfast, Northern Ireland

Correspondence, annotated notebooks and portrait silhouettes prepared for research
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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionMay 28, 2026
Entity authorityQ2166855 ↗
Source-derived summary

William Barry Douglas (born 23 April 1960) in Belfast, Northern Ireland, is a classical pianist and conductor.

Early life and education

He studied piano, cello, clarinet and organ while growing up in Belfast. He first studied in Belfast while attending Methodist College Belfast and, at 16, had lessons with Felicitas LeWinter, a pupil of Emil von Sauer and grand-pupil of Franz Liszt. In London he studied with John Barstow for four years and then studied privately with Maria Curcio, the last and favourite pupil of Artur Schnabel, going on to study with the Russian pianist Yevgeny Malinin in Paris. He won the Bronze Medal at the Van Cliburn International Piano Competition in Texas in 1985 and second prize in the 1980 Paloma O'Shea Santander International Piano Competition in Spain. He won the gold medal outright in the International Tchaikovsky Competition in 1986.

Career

His debut album was a recording of Modest Mussorgsky's Pictures at an Exhibition. He has made many recordings since then and in 2007 he completed (with Camerata Ireland) recording the five Beethoven piano concertos and the Triple Concerto (with Kim Chee-yun and Andrés Díaz). He is Artistic Director of the International Piano Festival in Manchester, England and the Clandeboye Festival in Clandeboye, Bangor, County Down. He founded Camerata Ireland in 1998 which had Elizabeth II and Mary McAleese (the then President of Ireland) as Joint Patrons.

Editorial summary

This brief starts where responsible research should: with the source description of “Barry Douglas (pianist)” as musician from Belfast, Northern Ireland. Everything that follows is an evidence route, not borrowed authority.

Editorial reviewStrongest as a route into the people, institutions and dated events that shaped the subject’s public record. The current lead gives the account dated anchors—1960, 1985, 1980, 1986—that can be checked directly. The linked authority record independently contributes the date 1960-04-23. The account is most persuasive where Barry, Douglas and pianist can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the people & ideas register because the source frames it as musician from Belfast, Northern Ireland. Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

The entry’s evidential value lies in the named roles, institutions and publications that can be tested against primary documentation. The source revision retrieved here is dated May 28, 2026. The linked authority identifier is Q2166855. VIAF identifies the subject as 116803713. The Library of Congress control number is n87103333. 4 of 4 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1960, 1985, 1980 and 1986.

Critical limits

Later biographies can compress uncertainty and repeat inherited reputations, so apparently settled claims may still require comparison. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.

Best used for
  • Establishing names and roles
  • Building a first chronology
  • Locating cited institutions
Verify next

Personal papers, civil or court records, institutional files and the scholarship cited by the source.

Three-step research path

  1. Establish the record: confirm the title “Barry Douglas (pianist)”, its source revision and the description used here.
  2. Expand the search: follow Barry Douglas (pianist) primary sources, Barry Douglas (pianist) archive and Barry research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Barry Douglas (pianist)”?
  2. How has the subject’s reputation changed across later accounts?
  3. Which primary records establish identity, chronology and institutional ties?
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Source & attribution

This entry incorporates text from “Barry Douglas (pianist)” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.