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The Barkleys of Broadway

1949 film by Charles Walters

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJul 9, 2026
Entity authorityQ1216947 ↗
Source-derived summary

The Barkleys of Broadway is a 1949 American Technicolor musical comedy film from the Arthur Freed unit at Metro-Goldwyn-Mayer that reunited Fred Astaire and Ginger Rogers after ten years apart. Directed by Charles Walters, the screenplay is by Betty Comden, Adolph Green, and Sidney Sheldon, the songs are by Harry Warren (music) and Ira Gershwin (lyrics) with the addition of "They Can't Take That Away from Me" by George and Ira Gershwin, and the choreography was created by Robert Alton and Hermes Pan. Also featured in the cast were Oscar Levant, Billie Burke, Jacques François and Gale Robbins. It is famously known as the last film that Astaire and Rogers made together, and their only film together in color. Rogers came in as a last-minute replacement for Judy Garland, whose frequent absences due to a dependence on prescription medication cost her the role.

Plot

Josh and Dinah Barkley are a husband-and-wife musical comedy team at the peak of their careers. After finishing the opening night of their new musical, the couple take a limousine ride to Mrs. Belney's afterparty. During the ride, Josh mildly criticizes Dinah for not allowing the audience to emotionally connect with her performance. When they arrive at the party, Dinah meets French playwright Jacques Pierre Barredout, who suggests that Dinah should quit musical comedy and do serious acting.

Editorial summary

The public source identifies “The Barkleys of Broadway” as 1949 film by Charles Walters. This brief keeps that definition visible, then builds a research path around Barkleys, Broadway and film.

Editorial reviewA productive route into publication, performance and collection histories when the underlying object or edition remains clearly identified. The current lead gives the account dated anchors—1949—that can be checked directly. The linked authority record independently contributes the date 1950-01-01. Its value is orientation rather than verdict, with Barkleys, Broadway and film providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “The Barkleys of Broadway”, the useful work is to connect “1949 film by Charles Walters” to the records capable of establishing context and consequence.

Evidence profile

Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated Jul 9, 2026. The linked authority identifier is Q1216947. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1949.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “The Barkleys of Broadway”, its source revision and the description used here.
  2. Expand the search: follow The Barkleys of Broadway primary sources, The Barkleys of Broadway archive and Barkleys research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “The Barkleys of Broadway”?
  2. Which edition, object, performance or recording is being described?
  3. How did later circulation or interpretation alter the work’s reception?
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Source & attribution

This entry incorporates text from “The Barkleys of Broadway” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.