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Bare: A Pop Opera

musical

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General referenceInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJul 9, 2026
Entity authorityQ2443217 ↗
Source-derived summary

Bare, also known as Bare: A Pop Opera, is a coming-of-age sung-through musical with music by Damon Intrabartolo, lyrics by Jon Hartmere, and a book by Hartmere and Intrabartolo. The story focuses on a group of high school students and their struggles at their private Catholic boarding school.

The musical was later revised as Bare: The Musical.

Productions

The musical debuted at the Hudson Theatre in Los Angeles, running from October 14, 2000 to February 25, 2001. The New York production of Bare at the American Theatre of Actors Off-Broadway, ran from April 19 to May 27, 2004. The Los Angeles and New York productions were both directed by Kristin Hanggi.

Bare had its Canadian premiere in summer 2009 at the Hart House Theatre, Toronto, directed by Bri Waters. Bare had its Sydney premiere in September 2010 at the New Theatre, as part of the Sydney Fringe Festival.

A new production of the original version has been produced again in Los Angeles, this time at the Hayworth Theatre. It opened on September 6, 2013, produced by Topher Rhys and Jamie Lee Barnard for glory|struck Productions, directed by Calvin Remsberg, choreographed by Jen Oundjian with musical direction by Elmo Zapp.

Editorial summary

Begin with the source’s own compact description: “Bare: A Pop Opera” is musical. The dossier treats that line as a proposition to test through Bare, Opera and musical, not as a finished interpretation.

Editorial reviewA dependable orientation record for establishing vocabulary, names and a first evidence trail. The current lead gives the account dated anchors—2000, 2001, 2004, 2009—that can be checked directly. The selected authority fields contribute no independent date. For this dossier, Bare, Opera and musical is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “musical” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Named sources, stable identifiers and responsible institutions provide the strongest route from overview to verifiable evidence. The source revision retrieved here is dated Jul 9, 2026. The linked authority identifier is Q2443217. The first chronological checks are 2000, 2001, 2004 and 2009.

Critical limits

The absence of detail may reflect summary conventions rather than a lack of surviving documentation. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

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Use the entry as an orientation point, then follow its citations and revision history. Names, dates and institutional relationships should be checked against the original record.

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  2. Expand the search: follow Bare: A Pop Opera primary sources, Bare: A Pop Opera archive and Bare research across catalogues and specialist indexes.
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Source & attribution

This entry incorporates text from “Bare: A Pop Opera” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.