Ball at the Metropol
1937 film by Frank Wisbar

Ball at the Metropol (German: Ball im Metropol) is a 1937 German drama film directed by Frank Wisbar and starring Heinrich George, Heinz von Cleve and Hilde Weissner. The film's sets were designed by the art directors Fritz Maurischat and Anton Weber. It was based on the 1888 novel Irrungen, Wirrungen by Theodor Fontane. It premiered at the Gloria-Palast in Berlin.
Cast
Heinrich George as Rudolf von Waltzien
Heinz von Cleve as Eberhard von Waltzien
Hilde Weissner as Margit Steltendorff
Viktoria von Ballasko as Gertrude Selle
Elsa Wagner as Frau Selle
Ursula Weißbach as Lotte Schultze
Katja Specht as Eva Kreßt
Franz Schafheitlin as Steltendorff
Fred Goebel as Studerke
Leopold von Ledebur as Graf Kreßt
Heinz Klockow as von Restrow
S.O. Schoening as von Prißwitz
Bob Bauer as von Puttkammer
Frau Finkelnburg as Baronin Malchin
Fanny Cotta as Direktrice des Modehauses
William Huch as Diener bei Baron von Waltzien
Fred Köster as Gast beim Ball im Metropol
Karl Platen as Werner, Diener
Achim von Biel as Gesandter
Margitta Zonewa as Sängerin
References
Bibliography
Goble, Alan. The Complete Index to Literary Sources in Film. Walter de Gruyter, 1999.
Nicolella, Henry. Frank Wisbar: The Director of Ferryman Maria, from Germany to America and Back. McFarland, 2018.
The public source identifies “Ball at the Metropol” as 1937 film by Frank Wisbar. This brief keeps that definition visible, then builds a research path around Ball, Metropol and film.
Why this record matters
A short description can identify a subject without explaining its stakes. For “Ball at the Metropol”, the useful work is to connect “1937 film by Frank Wisbar” to the records capable of establishing context and consequence.
Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated May 9, 2026. The linked authority identifier is Q21035690. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1937, 1888, 1999 and 2018.
Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.
How to read it
Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.
- Identifying works and editions
- Tracing reception history
- Finding collection records
The original object or edition, catalogue raisonné, performance record, rights file and holding institution.
Three-step research path
- Establish the record: confirm the title “Ball at the Metropol”, its source revision and the description used here.
- Expand the search: follow Ball at the Metropol primary sources, Ball at the Metropol archive and Ball research across catalogues and specialist indexes.
- Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.
Questions for further research
- Which source most directly establishes the central claim about “Ball at the Metropol”?
- How did later circulation or interpretation alter the work’s reception?
- Where is authorship, date or provenance documented?
Search terms from this dossier
This entry incorporates text from “Ball at the Metropol” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.