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Reckless (1951 film)

1951 Spanish drama film directed by José Antonio Nieves Conde

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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJul 2, 2026
Entity authorityQ1893130
Source-derived summary

Reckless (Spanish: Balarrasa) is a 1951 Spanish drama film directed by José Antonio Nieves Conde. It was entered into the 1951 Cannes Film Festival.

Plot

Spanish missionary Javier Mendoza (Fernando Fernán Gómez) finds himself trapped in the middle of a massive snowstorm in Alaska. Fearing that the end of his days has come, he begins to remember his life: After the death of his mother, his father (Javier Tordesillas) dedicates himself to gambling and Javier himself, known as Balarrasa, also leads a rampant life. Nor do the other siblings, Fernando (Luis Prendes), Lina (Dina Stern) and Maite (María Rosa Salgado) lead exemplary lives. When the Spanish Civil War breaks out, Mendoza engages in unheroic behavior that ends the life of a colleague when he plays cards instead of pulling a guard duty shift that was assigned to him. Affected by the event, he enters the seminary. After redirecting the existence of his relatives, he begins a new life as a missionary.

Editorial summary

Begin with the source’s own compact description: “Reckless (1951 film)” is 1951 Spanish drama film directed by José Antonio Nieves Conde. The dossier treats that line as a proposition to test through Reckless, film and Spanish, not as a finished interpretation.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current lead gives the account dated anchors—1951—that can be checked directly. The linked authority record independently contributes the date 1951-01-01. For this dossier, Reckless, film and Spanish is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “1951 Spanish drama film directed by José Antonio Nieves Conde” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Jul 2, 2026. The linked authority identifier is Q1893130. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1951.

Critical limits

Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

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  2. Expand the search: follow Reckless (1951 film) primary sources, Reckless (1951 film) archive and Reckless research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

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Source & attribution

This entry incorporates text from Reckless (1951 film)” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.