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Bahruz Kangarli

Azerbaijani painter (1892–1922)

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General referenceInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJul 27, 2026
Entity authorityQ4219337 ↗
Source-derived summary

Bahruz Shirali bey oglu Kangarli (Azerbaijani: Bəhruz Şirəlibəy oğlu Kəngərli; 22 January 1892, Nakhchivan – 7 February 1922, Nakhchivan) an Azerbaijani artist who paved the way for innovation with his realistic works by working in the first academic painting style in the art of Azerbaijani painting.

Bahruz Kangarli's artistic legacy, which consists of about 2000 works of various themes and genres, has attracted the attention of the general public, has been collected successively and has become the decoration of exhibitions and museum expositions.

Biography

Early years

Bahruz Kangarli was born on January 22, 1892, in the city of Nakhchivan. The artist's mother, Aziz, died when Bahruz was a baby, after that, his father, Shirali Bey, married Shirin Khanim. Two daughters, Tahira and Mansura, were born from this marriage. In the 1910s, after the death of Shirali bey, Shirin was married to the artist's uncle, Gadir Agha. Three children were born from this marriage - Davud, Rustam and Gultaj.

His father, Shirali bey, studied at the gymnasium, studied Persian and Russian languages, got acquainted with Eastern and European literature, was recognized as an advanced intellectual, and worked as a translator in the city court. He sent his son to study in a new type of city school called "Khayriyya". Bahruz Kangarli benefited from the books and picture books brought home by his father, showed interest in drawing from an early age, copied pictures, and tried to increase his level of knowledge by learning Russian.

Editorial summary

“Bahruz Kangarli” enters the record as azerbaijani painter (1892–1922). Crown Archives preserves that source wording while asking what Bahruz, Kangarli and Azerbaijani can confirm, complicate or overturn.

Editorial reviewA dependable orientation record for establishing vocabulary, names and a first evidence trail. The current lead gives the account dated anchors—1892, 1922, 2000—that can be checked directly. The linked authority record independently contributes the date 1892-01-10. Its strongest next move is a source search built around Bahruz, Kangarli and Azerbaijani.
Editorial analysis

Why this record matters

“Bahruz Kangarli” is worth following because a concise public description often conceals a longer documentary argument. Here, Bahruz, Kangarli and Azerbaijani provides the most credible route into that argument.

Evidence profile

Named sources, stable identifiers and responsible institutions provide the strongest route from overview to verifiable evidence. The source revision retrieved here is dated Jul 27, 2026. The linked authority identifier is Q4219337. VIAF identifies the subject as 2081174516035615930001. 1 of 2 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1892, 1922 and 2000.

Critical limits

A concise general-reference account can conceal disagreements about scope, terminology or the weight assigned to individual sources. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Use the entry as an orientation point, then follow its citations and revision history. Names, dates and institutional relationships should be checked against the original record.

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Source & attribution

This entry incorporates text from “Bahruz Kangarli” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.