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Music of Bahrain

music and musical traditions of Bahrain

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General referenceInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionApr 20, 2026
Entity authorityQ6942010
Source-derived summary

The music of Bahrain is part of the Persian Gulf folk traditions. Alongside Kuwait, it is known for sawt music, a bluesy genre influenced by African, Indian and Persian music. Sultan Hamid, Ali Bahar and Khaled El Sheikh (a singer and oud player) are among the most popular musicians from Bahrain.

Bahrain was the site of the first Persian Gulf-based recording studio, established after World War II. Modern music institutions in Bahrain include the Bahrain Music Institute, the Bahrain Orchestra and the Classical Institute of Music. The Bahraini male-only pearl diving tradition is known for the songs called fidjeri.

Liwa and Fann at-Tanbura are types of music and dance performed mainly in communities of descendants of Bantu peoples from the African Great Lakes region.

Khaleeji

Khaleeji is a style of Persian Gulf-area folk music, played in Bahrain with polyrhythms. The style is strongly influenced by the music of Africa. Khaleeji singer Ali Bahar is one of the few Bahraini pop stars to sing in a local dialect, along with his band Al Ekhwa.

Sawt

In Bahrain, the early pioneers of sawt were Mohammed Faris and Dhabi bin Walid in the pre-World War II era.

Editorial summary

“Music of Bahrain” enters the record as music and musical traditions of Bahrain. Crown Archives preserves that source wording while asking what Music, Bahrain and music can confirm, complicate or overturn.

Editorial reviewA practical starting point whose main value is the path it opens into stronger specialist and primary sources. The current 194-word lead offers orientation but no explicit four-digit date, so chronology should not be assumed. The selected authority fields contribute no independent date. Its strongest next move is a source search built around Music, Bahrain and music.
Editorial analysis

Why this record matters

“Music of Bahrain” is worth following because a concise public description often conceals a longer documentary argument. Here, Music, Bahrain and music provides the most credible route into that argument.

Evidence profile

Vocabulary and entity names are the principal evidence signals here, because they determine the precision of every later search. The source revision retrieved here is dated Apr 20, 2026. The linked authority identifier is Q6942010. None of the 0 selected statements returned an explicit reference.

Critical limits

A concise general-reference account can conceal disagreements about scope, terminology or the weight assigned to individual sources. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

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Use the entry as an orientation point, then follow its citations and revision history. Names, dates and institutional relationships should be checked against the original record.

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  1. Establish the record: confirm the title “Music of Bahrain”, its source revision and the description used here.
  2. Expand the search: follow Music of Bahrain primary sources, Music of Bahrain archive and Music research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

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Source & attribution

This entry incorporates text from Music of Bahrain” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.