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The Audio of Being

album by Matthew Good Band

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJan 26, 2026
Entity authorityQ7714885
Source-derived summary

The Audio Of Being is the fourth and final album by the Canadian rock group Matthew Good Band, released in 2001. It included two singles: "Carmelina" and "Anti-Pop". The album sold 73,000 units in Canada by March 2003 and was certified Gold the same month.

Recording

Matthew Good has stated that the recording process for the album was a "nightmare." He claims it started during the rehearsals of the songs for the album, due to the process being hampered with band members trying to inject ideas into the songs so they could make a case for publishing credits. In addition to that, Good was very ill during much of the recording sessions.

"Anti-Pop" was not originally recorded for the album. After the recording sessions were finished, the band's label requested that the band record another song that could be released as a single. In response, Good wrote "Anti-Pop", which the band then recorded and was later released as the second single from the album. Two songs that were recorded during the sessions were not included on the album. "All Together", which was featured on the original track listing of the album in July 2001, was later removed from the album.

Editorial summary

Begin with the source’s own compact description: “The Audio of Being” is album by Matthew Good Band. The dossier treats that line as a proposition to test through Audio, Being and album, not as a finished interpretation.

Editorial reviewA productive route into publication, performance and collection histories when the underlying object or edition remains clearly identified. The current lead gives the account dated anchors—2001, 2003—that can be checked directly. The linked authority record independently contributes the date 2002-01-08. For this dossier, Audio, Being and album is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “album by Matthew Good Band” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Jan 26, 2026. The linked authority identifier is Q7714885. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 2001 and 2003.

Critical limits

Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “The Audio of Being”, its source revision and the description used here.
  2. Expand the search: follow The Audio of Being primary sources, The Audio of Being archive and Audio research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “The Audio of Being”?
  2. How did later circulation or interpretation alter the work’s reception?
  3. Which edition, object, performance or recording is being described?
Subject index

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Source & attribution

This entry incorporates text from The Audio of Being” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.