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The Burial of Atala

painting by Girodet in the Louvre

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 21, 2026
Entity authorityQ9401827 ↗
Source-derived summary

The Burial of Atala or The Funeral of Atala (French: Atala au tombeau) is an 1808 oil-on-canvas painting by the French painter Anne-Louis Girodet de Roussy-Trioson. It depicts a scene from Francois-René de Chateaubriand's novel, Atala, written in 1801. Inspired by this tragic love story, Girodet captures its dramatic tone by combining both Neoclassical and Romantic elements while emphasizing the sensuality of Atala’s death.

First publicly displayed in the Salon of 1808, the painting was well received. It was then acquired by Louis XVIII in 1818. Today, it is held in the Louvre Museum in Paris.

Context

Reacting against the secularism of the French Revolution, both Chateaubriand and Girodet contributed to the revival of Christianity, incorporating religious motifs and iconography into their works.

Chateaubriand’s Atala was part of a larger project, The Genius of Christianity (French: Le Génie du Christianisme), written as a defense of Christianity meant to inspire artists and to emphasize moral ideals. Atala tells the story of a Christian girl, Atala, who fell in love with a Natchez Indian, Chactas. However, this threatens her obligation to her vow of chastity.

Editorial summary

The public source identifies “The Burial of Atala” as painting by Girodet in the Louvre. This brief keeps that definition visible, then builds a research path around Burial, Atala and painting.

Editorial reviewA productive route into publication, performance and collection histories when the underlying object or edition remains clearly identified. The current lead gives the account dated anchors—1808, 1801, 1818—that can be checked directly. The linked authority record independently contributes the date 1808-01-01. Its value is orientation rather than verdict, with Burial, Atala and painting providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “The Burial of Atala”, the useful work is to connect “painting by Girodet in the Louvre” to the records capable of establishing context and consequence.

Evidence profile

Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Sep 21, 2026. The linked authority identifier is Q9401827. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1808, 1801 and 1818.

Critical limits

Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “The Burial of Atala”, its source revision and the description used here.
  2. Expand the search: follow The Burial of Atala primary sources, The Burial of Atala archive and Burial research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “The Burial of Atala”?
  2. Which edition, object, performance or recording is being described?
  3. How did later circulation or interpretation alter the work’s reception?
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Source & attribution

This entry incorporates text from “The Burial of Atala” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.