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Artur Agostinho

journalist, broadcaster, writer and award-winning Portuguese actor. (1920–2011)

Correspondence, annotated notebooks and portrait silhouettes prepared for research
People and ideasInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionMar 9, 2026
Entity authorityQ3307567 ↗
Source-derived summary

Artur Fernandes Agostinho (25 December 1920 – 22 March 2011) was a Portuguese journalist, radio host, actor, publicist and writer, recipient of the Military Order of Saint James of the Sword (Ordem Militar de Sant'Iago da Espada).

Career

Born and raised in Lisbon, Artur Agostinho went to Liceu Camões, did amateur theatre at Campolide Atlético Clube and entered the Instituto Superior Técnico in order to study electrical engineering at the largest school of engineering in Portugal, but gave up when one of his professors there, Professor Ilharco, told him he wasn't the engineering-type of person. He started on small amateur radio stations such as Rádio Luso around 1938. He went on to work for several large radio stations (Rádio Peninsular, Clube Radiofónico de Portugal) until he was invited by Rádio Clube Português as a collaborator, where he received some money for his work for the first time. In 1944 he turned professional and the following year moved to Emissora Nacional. Starting in 1947, he became a renowned live football commentator and reporter on the radio Emissora Nacional and later on Rádio Renascença. As an actor, Artur Agostinho had roles in films such as Cais do Sodré (1946), O Leão da Estrela (1947), Capas Negras (1947), Cantiga da Rua (1950), Sonhar é Fácil (1951), O Tarzan do 5º Esquerdo (1958), Dois Dias no Paraíso (1958), O Testamento do Senhor Napumoceno (1997), A Sombra dos Abutres (1998) and Tudo Isto é Fado (2004). At RTP, he presented the first Portuguese television competition Quem Sabe, Sabe and took part in programs such as O Senhor que se Segue and No Tempo Em Que Você Nasceu. After that, he would be part of several tv series and soap operas, such as Casa da Saudade, Ganância, Clube das Chaves, Ana e os Sete, Sonhos Traídos, Inspector Max, Tu e Eu, Pai à Força and Perfeito Coração.

As a notable personality in Portuguese radio broadcast and cinema until then, after the Carnation Revolution of 1974 in Lisbon and the fall of the Estado Novo regime, he was victim of prejudice and ostracism by the new left-wing ruling forces in Portugal.

Editorial summary

Begin with the source’s own compact description: “Artur Agostinho” is journalist, broadcaster, writer and award-winning Portuguese actor. (1920–2011). The dossier treats that line as a proposition to test through Artur, Agostinho and journalist, not as a finished interpretation.

Editorial reviewA useful biographical orientation record, particularly for establishing names, roles and a first chronology. The current lead gives the account dated anchors—1920, 2011, 1938, 1944—that can be checked directly. The linked authority record independently contributes the date 1920-12-25. For this dossier, Artur, Agostinho and journalist is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “journalist, broadcaster, writer and award-winning Portuguese actor. (1920–2011)” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Chronology provides the most reliable spine for this subject; interpretation should follow only after identities and dates are secure. The source revision retrieved here is dated Mar 9, 2026. The linked authority identifier is Q3307567. VIAF identifies the subject as 66430073. The Library of Congress control number is nr2006014966. 2 of 3 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1920, 2011, 1938 and 1944.

Critical limits

Public reputation and documentary evidence do not always develop together; absence from a summary is not evidence of historical absence. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.

Best used for
  • Establishing names and roles
  • Building a first chronology
  • Locating cited institutions
Verify next

Personal papers, civil or court records, institutional files and the scholarship cited by the source.

Three-step research path

  1. Establish the record: confirm the title “Artur Agostinho”, its source revision and the description used here.
  2. Expand the search: follow Artur Agostinho primary sources, Artur Agostinho archive and Artur research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Artur Agostinho”?
  2. Which primary records establish identity, chronology and institutional ties?
  3. How has the subject’s reputation changed across later accounts?
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Source & attribution

This entry incorporates text from “Artur Agostinho” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.