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Gary Armagnac

American actor

Correspondence, annotated notebooks and portrait silhouettes prepared for research
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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionNov 30, 2025
Entity authorityQ1494814 ↗
Source-derived summary

Gary Armagnac is an American actor active in the 1980s and early 1990s. His most notable role was as Lieutenant McNary in Star Trek: The Next Generation. He has been a professional actor, director, and educator for more than thirty years.

Mr. Armagnac was the artist in residence and director of education for five seasons with the Tony Award® winning Utah Shakespeare Festival (USF). His work on stage there included the title roles in Richard III and Pericles, Iago in Othello, and Sir Toby in Twelfth Night. He also directed productions of Macbeth, Hamlet, and Romeo & Juliet that toured to communities throughout the southwest.

He received a CINE Golden Eagle Award in 1998 for Shakes: Rattle & Role, a documentary he wrote and directed for public television about his touring production of Hamlet. Other awards for his work include Hollywood Drama-Logue Awards for his portrayals of Dylan Thomas in Dylan, the title role in Macbeth, Iago in Othello, and for directing, lighting, and sets for his Los Angeles production of Twelfth Night.

Currently, Mr.

Editorial summary

The public source identifies “Gary Armagnac” as american actor. This brief keeps that definition visible, then builds a research path around Gary, Armagnac and American.

Editorial reviewA productive starting point for separating a subject’s documented career from later reputation and commemoration. The current lead gives the account dated anchors—1998—that can be checked directly. The linked authority record independently contributes the date 1952-08-17. Its value is orientation rather than verdict, with Gary, Armagnac and American providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “Gary Armagnac”, the useful work is to connect “american actor” to the records capable of establishing context and consequence.

Evidence profile

The entry’s evidential value lies in the named roles, institutions and publications that can be tested against primary documentation. The source revision retrieved here is dated Nov 30, 2025. The linked authority identifier is Q1494814. None of the 1 selected statements returned an explicit reference. The first chronological checks are 1998.

Critical limits

Later biographies can compress uncertainty and repeat inherited reputations, so apparently settled claims may still require comparison. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.

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  • Establishing names and roles
  • Building a first chronology
  • Locating cited institutions
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Personal papers, civil or court records, institutional files and the scholarship cited by the source.

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  1. Establish the record: confirm the title “Gary Armagnac”, its source revision and the description used here.
  2. Expand the search: follow Gary Armagnac primary sources, Gary Armagnac archive and Gary research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

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Source & attribution

This entry incorporates text from “Gary Armagnac” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.