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Ariane et Barbe-bleue

opera by Paul Dukas

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 13, 2026
Entity authorityQ655858 ↗
Source-derived summary

Ariane et Barbe-bleue (French pronunciation: [aʁjan e baʁb blø], Ariadne and Bluebeard) is an opera in three acts by Paul Dukas. The French libretto is adapted (with very few changes) from the symbolist play of the same name by Maurice Maeterlinck, itself loosely based on the French literary tale La Barbe bleue by Charles Perrault.

Dukas had been impressed by Maeterlinck's play when it was first published in 1899. Maeterlinck had initially reserved the rights to use Ariane as a libretto for Edvard Grieg. When Grieg abandoned his plans to compose the opera, Maeterlinck offered it to Dukas instead. Dukas worked on the score between 1899 and 1906.

The work has often been compared to Debussy's opera Pelléas et Mélisande (1902), also based on a Maeterlinck play; Debussy had virtually finished his score by the time Dukas began work on his. The names of Barbe-bleue's five former wives are taken from previous plays by Maeterlinck: Sélysette from Aglavaine et Sélysette (1896), Alladine from Alladine et Palomides (1894), Ygraine and Bellangère from La mort de Tintagiles (1894), and Mélisande from Pelléas et Mélisande. Dukas, who knew Debussy well, actually borrowed three bars from Debussy's opera to accompany the first mention of Mélisande, although the character is minor in Dukas' opera. Ariane takes her name from the legend of Ariadne and the Cretan labyrinth, although she combines the roles of both Ariadne and Theseus, who freed the captive Athenian virgins from the Minotaur just as Ariane liberates—or tries to liberate—the wives from Bluebeard.

Editorial summary

This brief starts where responsible research should: with the source description of “Ariane et Barbe-bleue” as opera by Paul Dukas. Everything that follows is an evidence route, not borrowed authority.

Editorial reviewA productive route into publication, performance and collection histories when the underlying object or edition remains clearly identified. The current lead gives the account dated anchors—1899, 1906, 1902, 1896—that can be checked directly. The linked authority record independently contributes the date 2000. The account is most persuasive where Ariane, Barbe-bleue and opera can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the arts & letters register because the source frames it as opera by Paul Dukas. Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Aug 13, 2026. The linked authority identifier is Q655858. VIAF identifies the subject as 184762583. The Library of Congress control number is n92050532. 3 of 3 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1899, 1906, 1902 and 1896.

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Source & attribution

This entry incorporates text from “Ariane et Barbe-bleue” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.