CACrown ArchivesThe cinema collection
Menu
Research dossier · Arts & Letters

The Apollo of Bellac

one-act play written by Jean Giraudoux

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 5, 2026
Entity authorityQ3202161
Source-derived summary

The Apollo of Bellac (French: L'Apollon de Bellac or L'Apollon de Marsac) is a comedic one-act play written in 1942 by French dramatist Jean Giraudoux.

Plot summary

The play is set in the reception room of the International Bureau of Inventions, during autumn in Paris. It focuses on a timid, young woman by the name of Agnes. After she arrives, she is given the most powerful secret in life by a homeless man from the little town of Bellac. Like Giraudoux himself, the man comes from the Limousin region of France.

The secret he gives her is to tell all men that they are beautiful ("How beautiful you are!" or "Comme vous êtes beau!") and they will play right into your hands. She quickly catches on and the men of the Bureau fall for her left and right. In the Valency translation, it ends with her meeting the handsome (and single) Chairman of the Board, and everyone wondering what has happened to the great man (the homeless inventor) who quietly slipped away.

Cast and productions

L'Apollon de Bellac was translated into English by Maurice Valency, in Jean Giraudoux, Four Plays, vol. 1 (1958), and 1957 by Ronald Duncan.

Editorial summary

Begin with the source’s own compact description: “The Apollo of Bellac” is one-act play written by Jean Giraudoux. The dossier treats that line as a proposition to test through Apollo, Bellac and one-act, not as a finished interpretation.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—1942, 1958, 1957—that can be checked directly. The selected authority fields contribute no independent date. For this dossier, Apollo, Bellac and one-act is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “one-act play written by Jean Giraudoux” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated Aug 5, 2026. The linked authority identifier is Q3202161. None of the 0 selected statements returned an explicit reference. The first chronological checks are 1942, 1958 and 1957.

Critical limits

Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “The Apollo of Bellac”, its source revision and the description used here.
  2. Expand the search: follow The Apollo of Bellac primary sources, The Apollo of Bellac archive and Apollo research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “The Apollo of Bellac”?
  2. Where is authorship, date or provenance documented?
  3. Which edition, object, performance or recording is being described?
Subject index

Search terms from this dossier

Source & attribution

This entry incorporates text from The Apollo of Bellac” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.