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Anthony DiBlasi

film director

Correspondence, annotated notebooks and portrait silhouettes prepared for research
People and ideasInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 31, 2026
Entity authorityQ16208522 ↗
Source-derived summary

Anthony DiBlasi is an American film director, producer, and screenwriter known for his work in horror films. He made his directorial debut in 2009 with the film Dread, based on the 1984 short story of the same name by English novelist and filmmaker Clive Barker. DiBlasi also directed and co-wrote the 2014 film Last Shift and the 2018 film Extremity.

Life and career

DiBlasi was born and raised in Boston, Massachusetts, where he graduated from film school at Emerson College. While in the program, he held an internship with Marvel Studios in Los Angeles, California, around the time that the 2002 film Spider-Man was in post-production. After a meeting with novelist and filmmaker Clive Barker and producer Joe Daley, DiBlasi was hired by Barker and Daley as an intern, and he soon began working with them on film projects full-time. DiBlasi served as an executive producer on the horror films The Midnight Meat Train (2008) and Book of Blood (2009), each based on short stories by Barker. DiBlasi made his directorial debut in 2009 with the film Dread, based on the 1984 short story of the same name by Barker.

In 2014, DiBlasi directed the film Last Shift, which he co-wrote with Scott Poiley. A reboot of Last Shift, titled Malum, also directed by DiBlasi and written by DiBlasi and Poiley, was released in 2023.

Editorial summary

Begin with the source’s own compact description: “Anthony DiBlasi” is film director. The dossier treats that line as a proposition to test through Anthony, DiBlasi and film, not as a finished interpretation.

Editorial reviewStrongest as a route into the people, institutions and dated events that shaped the subject’s public record. The current lead gives the account dated anchors—2009, 1984, 2014, 2018—that can be checked directly. The linked authority record independently contributes the date 1999. For this dossier, Anthony, DiBlasi and film is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “film director” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Biographical claims are most persuasive when dates, appointments and relationships can be traced to records created close to the events described. The source revision retrieved here is dated Aug 31, 2026. The linked authority identifier is Q16208522. None of the 1 selected statements returned an explicit reference. The first chronological checks are 2009, 1984, 2014 and 2018.

Critical limits

A concise life account rarely captures disputed attribution, private networks or the changing language used to describe a career. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.

Best used for
  • Establishing names and roles
  • Building a first chronology
  • Locating cited institutions
Verify next

Personal papers, civil or court records, institutional files and the scholarship cited by the source.

Three-step research path

  1. Establish the record: confirm the title “Anthony DiBlasi”, its source revision and the description used here.
  2. Expand the search: follow Anthony DiBlasi primary sources, Anthony DiBlasi archive and Anthony research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Anthony DiBlasi”?
  2. Which primary records establish identity, chronology and institutional ties?
  3. How has the subject’s reputation changed across later accounts?
Subject index

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Source & attribution

This entry incorporates text from “Anthony DiBlasi” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.