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Annette (album)

album by Paul Bley

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 12, 2026
Entity authorityQ17507547 ↗
Source-derived summary

Annette is an album by Paul Bley with Franz Koglmann and Gary Peacock recorded in Germany in 1992 and released on the hat ART label in 1993. The album features compositions by Annette Peacock.

Reception

The Independent review by Richard Williams noted "Bley has been exploring the likes of 'Blood', 'Touching' and 'Mister Joy' for most of his long career, but still manages to find something new within their strange, elliptical, allusive contours". Thom Jurek of AllMusic states, "With this album, the trio of Bley, Peacock, and Koglmann has created more than just a tribute to a great if nearly completely unknown artist -- it has offered a look deep inside the musical psyche of a true original".

The Guardian review by John Fordham awarded the album 3 stars observing "Bley's unplugged trio – with Austrian trumpeter Franz Koglmann and Annette Peacock's first husband Gary Peacock on bass – doesn't mimic or cover its subject's work. Instead, it takes up the free-improv invitation of her melancholy, minor-key miniatures... Peacock's avant-pop connections, however, shouldn't fool anyone into thinking this is anything other than a mostly low-key, acoustic free-jazz conversation".

Editorial summary

Begin with the source’s own compact description: “Annette (album)” is album by Paul Bley. The dossier treats that line as a proposition to test through Annette, album and Paul, not as a finished interpretation.

Editorial reviewA productive route into publication, performance and collection histories when the underlying object or edition remains clearly identified. The current lead gives the account dated anchors—1992, 1993—that can be checked directly. The linked authority record independently contributes the date 1993. For this dossier, Annette, album and Paul is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “album by Paul Bley” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Aug 12, 2026. The linked authority identifier is Q17507547. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1992 and 1993.

Critical limits

Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Annette (album)”, its source revision and the description used here.
  2. Expand the search: follow Annette (album) primary sources, Annette (album) archive and Annette research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Annette (album)”?
  2. How did later circulation or interpretation alter the work’s reception?
  3. Which edition, object, performance or recording is being described?
Subject index

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Source & attribution

This entry incorporates text from “Annette (album)” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.