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Anne Walsh

American visual artist (born 1962)

Correspondence, annotated notebooks and portrait silhouettes prepared for research
People and ideasInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionFeb 11, 2026
Entity authorityQ17015529
Source-derived summary

Anne Walsh (born 1962, New York City) is an American visual artist, art editor, curator and teacher. She works with video, performance, audio, photography, and text. Her works often re-mediate the works and lives of other artists and her own family. Walsh has said that her artistic medium is “study.” Walsh's book Hello Leonora, Soy Anne Walsh (2019, no place press/MIT Press) epitomizes the aggressively indexical, personal, and analytical nature of her practice. A visual and written ‘adaptation’ of Leonora Carrington's 1950 fantastical feminist novella The Hearing Trumpet, the book traces Walsh's decade-long, multi-part response to the novella—including meeting the author and corresponding with her. Other recent adaptations include Walsh's live performances with poet Jocelyn Saidenberg of Camille Roy's play Sometimes Dead is Better, and her video installation Anthem, in which Walsh performed, with a troupe of Oakland elders, the Oscar-winning song Let It Go, from the 2014 Disney film Frozen.

In addition to exhibiting her work nationally and internationally, Walsh is associate professor of art practice at University of California, Berkeley.

Biography

Anne Walsh was born in 1962, in New York City. She graduated from the University of Michigan, Ann Arbor (BA degree), and the California Institute of the Arts (MFA degree).

Walsh is associate professor of New Genres in the Department of Art Practice at University of California, Berkeley, where she teaches video, graduate studies, and critical theory.

Editorial summary

The public source identifies “Anne Walsh” as american visual artist (born 1962). This brief keeps that definition visible, then builds a research path around Anne, Walsh and American.

Editorial reviewA productive starting point for separating a subject’s documented career from later reputation and commemoration. The current lead gives the account dated anchors—1962, 2019, 1950, 2014—that can be checked directly. The linked authority record independently contributes the date 1962-01-01. Its value is orientation rather than verdict, with Anne, Walsh and American providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “Anne Walsh”, the useful work is to connect “american visual artist (born 1962)” to the records capable of establishing context and consequence.

Evidence profile

Biographical claims are most persuasive when dates, appointments and relationships can be traced to records created close to the events described. The source revision retrieved here is dated Feb 11, 2026. The linked authority identifier is Q17015529. VIAF identifies the subject as 96575054. 1 of 2 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1962, 2019, 1950 and 2014.

Critical limits

Public reputation and documentary evidence do not always develop together; absence from a summary is not evidence of historical absence. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.

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  • Building a first chronology
  • Locating cited institutions
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Personal papers, civil or court records, institutional files and the scholarship cited by the source.

Three-step research path

  1. Establish the record: confirm the title “Anne Walsh”, its source revision and the description used here.
  2. Expand the search: follow Anne Walsh primary sources, Anne Walsh archive and Anne research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

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  3. How has the subject’s reputation changed across later accounts?
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Source & attribution

This entry incorporates text from Anne Walsh” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.