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Angolian Cry

1985 studio album by Johnny Dyani Quartet

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 12, 2026
Entity authorityQ116880864
Source-derived summary

Angolian Cry is an album by bassist Johnny Dyani. It was recorded on July 23, 1985, and was issued on LP later that year by SteepleChase Records. On the album, his final release as a leader, Dyani is joined by saxophonist and bass clarinetist John Tchicai, trumpeter Harry Beckett, and drummer Billy Hart. In 1986, the album was reissued on CD with an extra track.

Reception

In a review for AllMusic, Scott Yanow wrote: "Dyani's atmospheric and colorful music was long underrated but, like that of Abdullah Ibrahim... Johnny Dyani was a major composer whose flights were tempered by a strong emphasis on fresh melodies. Stimulating music."

The authors of The Penguin Guide to Jazz Recordings stated that the album "brims with pathos and joy, and Beckett is sterling."

Don Snowden of the Los Angeles Times commented: "Dyani doesn't have the sophistication or broad palette of his countryman Abdullah Ibrahim, but he compensates in part with a stronger visceral drive. He combines with drummer Billy Hart to give the six original compositions a unusually solid rhythmic punch."

A reviewer for Option called the album "easily one of the most inspired sessions of the year," and remarked: "Dyani has an impeccable sense of composition, offering wistful melodies which draw from both African and Afro-American sources."

Track listing

Composed by Johnny Dyani.

Editorial summary

Begin with the source’s own compact description: “Angolian Cry” is 1985 studio album by Johnny Dyani Quartet. The dossier treats that line as a proposition to test through Angolian, studio and album, not as a finished interpretation.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current lead gives the account dated anchors—1985, 1986—that can be checked directly. The selected authority fields contribute no independent date. For this dossier, Angolian, studio and album is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “1985 studio album by Johnny Dyani Quartet” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Aug 12, 2026. The linked authority identifier is Q116880864. None of the 0 selected statements returned an explicit reference. The first chronological checks are 1985 and 1986.

Critical limits

Rights, attribution and provenance may remain disputed even when a general reference summary presents a stable account. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Angolian Cry”, its source revision and the description used here.
  2. Expand the search: follow Angolian Cry primary sources, Angolian Cry archive and Angolian research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Angolian Cry”?
  2. How did later circulation or interpretation alter the work’s reception?
  3. Which edition, object, performance or recording is being described?
Subject index

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Source & attribution

This entry incorporates text from Angolian Cry” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.