Angelo Badà
Italian opera singer (1876-1941)

Angelo Badà (Pernate, 27 May 1876 – Novara, 23 March 1941) was an Italian operatic tenor. He was on the roster of the Metropolitan Opera for 30 years where he gave a total of 2,170 performance in 94 different operas in over 100 different roles from 1908 through 1938. Only two singers in the Met's history have made more appearances with the company: Charles Anthony and George Cehanovsky. He mostly appeared in comprimario roles during his career, although he did occasionally perform larger parts. His repertoire encompassed operas in the English, Italian, French, and German languages.
Life and career
Born in Pernate (Novara), Badà studied singing in his native city with Cecilio Manfredi. He made his professional opera debut in January 1900 as the messenger in Giuseppe Verdi's Aida. He spent the next eight years performing mainly comprimario roles in major opera houses in Italy, including La Scala in Milan and the Teatro di San Carlo in Naples. He also made appearances at the Royal Opera House in London.
Badà made his debut with the Metropolitan Opera on 16 November 1908.
This brief starts where responsible research should: with the source description of “Angelo Badà” as italian opera singer (1876-1941). Everything that follows is an evidence route, not borrowed authority.
Why this record matters
The subject matters to the people & ideas register because the source frames it as italian opera singer (1876-1941). Its deeper value depends on whether names, dates, institutions and citations support that framing.
The entry’s evidential value lies in the named roles, institutions and publications that can be tested against primary documentation. The source revision retrieved here is dated Aug 15, 2022. The linked authority identifier is Q4762833. VIAF identifies the subject as 66655979. The Library of Congress control number is n85111749. 3 of 3 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1876, 1941, 1908 and 1938.
Public reputation and documentary evidence do not always develop together; absence from a summary is not evidence of historical absence. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.
How to read it
Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.
- Establishing names and roles
- Building a first chronology
- Locating cited institutions
Personal papers, civil or court records, institutional files and the scholarship cited by the source.
Three-step research path
- Establish the record: confirm the title “Angelo Badà”, its source revision and the description used here.
- Expand the search: follow Angelo Badà primary sources, Angelo Badà archive and Angelo research across catalogues and specialist indexes.
- Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.
Questions for further research
- Which source most directly establishes the central claim about “Angelo Badà”?
- Which claims depend on a single source or contested interpretation?
- Which primary records establish identity, chronology and institutional ties?
Search terms from this dossier
This entry incorporates text from “Angelo Badà” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.