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Anastasia Stashkevich

Russian ballet dancer

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJul 24, 2026
Entity authorityQ28043114 ↗
Source-derived summary

Anastasia Stashkevich (Russian: Анастасия Сташкевич; born 20 November 1984) is a Russian principal dancer with the Bolshoi Ballet.

Anastasia Stashkevich was born in Leningrad, and studied at the Moscow Choreographic Academy with Tatyana Galtseva. Upon her graduation in 2003 she joined the Bolshoi Ballet, where she presently works under the tutelage of Svetlana Adyrkhaeva. She was promoted to the rank of soloist in October 2009, to first soloist in September 2011, to leading soloist in May 2012, and was appointed to the rank of principal dancer in July 2015.

Her guest appearances have included performing Kitri in Don Quixote with the Tokyo Ballet and Phrygia in Spartacus with the Royal Ballet of Flanders.

In 2018 Stashkevich received the Golden Mask theater award for her performance as the Novice in Jerome Robbins' The Cage.

Editorial summary

“Anastasia Stashkevich” enters the record as russian ballet dancer. Crown Archives preserves that source wording while asking what Anastasia, Stashkevich and Russian can confirm, complicate or overturn.

Editorial reviewA productive route into publication, performance and collection histories when the underlying object or edition remains clearly identified. The current lead gives the account dated anchors—1984, 2003, 2009, 2011—that can be checked directly. The linked authority record independently contributes the date 1984-11-20. Its strongest next move is a source search built around Anastasia, Stashkevich and Russian.
Editorial analysis

Why this record matters

“Anastasia Stashkevich” is worth following because a concise public description often conceals a longer documentary argument. Here, Anastasia, Stashkevich and Russian provides the most credible route into that argument.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Jul 24, 2026. The linked authority identifier is Q28043114. VIAF identifies the subject as 14158066734908432665. The Library of Congress control number is no2020010675. 2 of 3 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1984, 2003, 2009 and 2011.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

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Three-step research path

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  2. Expand the search: follow Anastasia Stashkevich primary sources, Anastasia Stashkevich archive and Anastasia research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

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Source & attribution

This entry incorporates text from “Anastasia Stashkevich” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.