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Analatos Painter

Attic vase painter of the Early Proto-Attic style

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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 1, 2026
Entity authorityQ484609 ↗
Source-derived summary

The Analatos Painter was an Attic vase painter of the Early Proto-Attic style.

The name of the Analatos Painter is derived from the central Attic area of Analatos (today Nea Smyrni), where several of his works have been excavated. His name vase is a hydria. His period of activity is estimated to be similar to that of the Mesogeia Painter, between c. 700 and 675 BC. It is possible that the Analatos Painter was also a potter.

The Analatos Painter belongs to the transition from Late Geometric to Early Proto-Attic vase painting. He is thought to have been a pupil of the Late Geometric Statathou Painter. The earliest works ascribed to him are still within a clear Late Geometric tradition. For example, one of his Geometric hydriai depicts a prothesis (laying-out of a body), showing Egyptian influences. The adoption of eastern influences was a key feature of the subsequent Orientalising Period, of which the Analatos Painter was one of the main early proponents.

Editorial summary

This brief starts where responsible research should: with the source description of “Analatos Painter” as attic vase painter of the Early Proto-Attic style. Everything that follows is an evidence route, not borrowed authority.

Editorial reviewA concise reference frame for defining the subject, testing terminology and identifying the institution closest to the evidence. The current 163-word lead offers orientation but no explicit four-digit date, so chronology should not be assumed. The linked authority record independently contributes the date -0800-01-01. The account is most persuasive where Analatos, Painter and Attic can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the general reference register because the source frames it as attic vase painter of the Early Proto-Attic style. Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

Named sources, stable identifiers and responsible institutions provide the strongest route from overview to verifiable evidence. The source revision retrieved here is dated Aug 1, 2026. The linked authority identifier is Q484609. VIAF identifies the subject as 77477881. 2 of 3 selected statements include explicit references; 1 carry qualifiers and 0 use preferred rank.

Critical limits

A concise general-reference account can conceal disagreements about scope, terminology or the weight assigned to individual sources. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

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Use the entry as an orientation point, then follow its citations and revision history. Names, dates and institutional relationships should be checked against the original record.

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  2. Expand the search: follow Analatos Painter primary sources, Analatos Painter archive and Analatos research across catalogues and specialist indexes.
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Source & attribution

This entry incorporates text from “Analatos Painter” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.