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American Book Awards

literary award in the United States

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 12, 2026
Entity authorityQ463606
Source-derived summary

The American Book Awards are an American literary award that annually recognizes a set of books and people for "outstanding literary achievement". According to the 2010 awards press release, it is "a writers' award given by other writers" and "there are no categories, no nominees, and therefore no losers."

The Award is administered by the multi-cultural focused nonprofit Before Columbus Foundation, which established it in 1978 and inaugurated it in 1980. The Award honors excellence in American literature without restriction to race, sex, ethnic background, or genre. Previous winners include novelists, social scientists, philosophers, poets, and historians such as Dana Gioia, Toni Morrison, Edward Said, MacKenzie Bezos, Isabel Allende, bell hooks, Don DeLillo, Derrick Bell, Robin Kelley, Joy Harjo and Tommy J. Curry.

National Book Awards

In 1980, the unrelated National Book Awards was renamed American Book Awards. In 1987 it was renamed back to National Book Awards. Other than having the same name during this seven-year period, the two awards have no relation.

Recipients

1980s

1980

Douglas Woolf for Future Preconditional: A Collection

Edward Dorn for Hello, La Jolla

Jayne Cortez for Mouth on Paper

Leslie Marmon Silko for Ceremony

Mei-mei Berssenbrugge for Random Possession

Milton Murayama for All I Asking for Is My Body

Quincy Troupe for Snake Back Solos

Rudolfo Anaya for Tortuga, a novel

1981

Alta for Shameless Hussy

Alan Chong Lau for Songs for Jadina

Bienvenido N. Santos for Scent of Apples: A Collection of Stories

Helen Adam for Turn Again to Me & Other Poems

Lionel Mitchell for Traveling Light

Miguel Algarín for On Call

Nicholasa Mohr for Felita

Peter Blue Cloud for Back Then Tomorrow

Robert Kelly for The Time of Voice: Poems 1994–1996

Rose Drachler for The Choice

Susan Howe for The Liberties

Toni Cade Bambara for The Salt Eaters

1982

Al Young for Bodies and Soul

Duane Niatum for Songs for the Harvester of Dreams: Poems

E. L. Mayo for Collected Poems E L Mayo

Frank Chin for The Chickencoop Chinaman and The Year of the Dragon

Hilton Obenzinger for This Passover or the next, I will never be in Jerusalem

Him Mark Lai, Genny Lim, Judy Yung for Island: Poetry and History of Chinese Immigrants on Angel Island, 1910–1940

Jerome Rothenberg for Pre-Faces and Other Writings

Joyce Carol Thomas for Marked by Fire

Leroy Quintana for Paper Dance: 55 Latino Poets

Lorna Dee Cervantes for Emplumada

Ronald Phillip Tanaka for The Shino Suite: Japanese-American Poetry

Russell Banks for Book of Jamaica

Tato Laviera for Enclave

1983

Barbara Christian for Black Women Novelists: The Development of a Tradition, 1892–1976

Cecilia Liang for Chinese Folk Poetry

Evangelina Vigil-Piñón for Thirty: An' Seen a Lot

Harriet Rohmer for Legend of Food Mountain: LA Montana Del Alimento

James D. Houston for Californians: Searching for the Golden State

Jessica Tarahata Hagedorn for Pet food & tropical apparitions

John A. Williams for Click Song, a novel

Joy Kogawa for Obasan

Judy Grahn for The Queen of Wands: Poetry

Nash Candelaria for Not by the Sword

Peter Guralnick for Lost Highway: Journeys and Arrivals of American Musicians

Seán Ó Tuama for An Duanaire Sixteen Hundred to Nineteen Hundred: Poems of the Dispossessed

1984

Cecil Brown for Days Without Weather

Gary Snyder for Axe Handles: Poems

Howard Schwartz, Mark Podwal for The Captive Soul of the Messiah: New Tales About Reb Nachman

Imamu Amiri Baraka for Anthology of African American Women: Confirmation Men

Jesús Colón for A Puerto Rican in New York, and Other Sketches

Joseph Bruchac for Breaking Silence: An Anthology of Contemporary Asian-American Poets

Maurice Kenny for The Mama Poems

Mei-mei Berssenbrugge for The heat bird

Miné Okubo for Citizen 13660

Paule Marshall for Praisesong for the Widow

Ruthanne Lum McCunn, You-shan Tang, Ellen Lai-shan Yeung for Pie-Biter

Thomas McGrath for Echoes inside the labyrinth

Venkatesh Kulkarni for Naked in Deccan

William J. Kennedy for O Albany!

1985

Angela Jackson for Solo in the Box Car Third Floor E

Arnold Genthe, John Kuo Wei Tchen for Genthe's Photographs of San Francisco's Old Chinatown

Colleen J. McElroy for Queen of the Ebony Isles

Gary Soto for Living Up The Street

Peter Irons for Justice at War

Keiho Soga, Taisanboku Mori, Sojin Takei, Muin Ozaki for Poets Behind Barbed Wire

Louise Erdrich for Love Medicine, a novel

Maureen Owen for Amelia Earhart

May Sarton for At Seventy: A Journal

Robert Edward Duncan for Ground Work: Before the War

Ron Jones for Say Ray

Sandra Cisneros for The House on Mango Street

Sonia Sanchez for Homegirls and Handgrenades

Julia Vinograd for The Book of Jerusalem

William Oandasan for Round Valley Songs

1986

Anna Lee Walters for The Sun Is Not Merciful: Short Stories

Cherríe Moraga, Gloria Anzaldúa for This Bridge Called My Back: Writings by Radical Women of Color

Helen Barolini for The Dream Book: An Anthology of Writing by Italian American Women

Jeff Hannusch for I Hear You Knockin : The Sound of New Orleans Rhythm and Blues

Linda Hogan for Seeing Through the Sun

Miguel Algarín for Time's Now/Ya Es Tiempo

Natasha Borovsky for A Daughter of the Nobility

Raymond Federman for Smiles on Washington Square: A Love Story of Sorts

Susan Howe for My Emily Dickinson

Terence Winch for Irish Musicians/American Friends

Toshio Mori for Yokohama, California

1987

Ai for SIN

Ana Castillo for The Mixquiahuala Letters

Cyn Zarco for Cir'cum.nav'i.ga'tion

Daniel McGuire for Portrait of Little Boy in darkness

Dorothy Bryant for Confessions of Madame Psyche: Memoirs and Letters of Mei-Li Murrow

Etheridge Knight for The Essential Etheridge Knight

Gary Giddins for Celebrating Bird: The Triumph Of Charlie Parker

Harvey Pekar for The New American Splendor Anthology: From Off the Streets of Cleveland

James Welch for Fools Crow

John Wieners for Selected Poems: 1958–1984

Juan Felipe Herrera for Face Games

Lucia Chiavola Birnbaum for liberazione della donna: feminism in Italy

Michael Mayo for Practicing Angels: A Contemporary Anthology of San Francisco Bay Area Poetry

Septima Poinsette Clark, Cynthia Stokes Brown for Ready from Within: A First Person Narrative

Terry McMillan for Mama

1988

Allison Blakely for Russia and the Negro: Blacks in Russian History and Thought

Charles Olson for The Collected Poems of Charles Olson: Excluding the Maximus Poems

Daisy Bates for The Long Shadow of Little Rock: A Memoir

David Halberstam for The Reckoning

Edward Sanders for Thirsting for Peace in a Raging Century: Poems 1961–1985

Gerald Vizenor for Griever: An American Monkey King in China

Jimmy Santiago Baca for Martin & Meditations on the South Valley

Kesho Y. Scott, Cherry Muhanji, Egyirba High for Tight Spaces

Marlon K. Hom for Songs of Gold Mountain: Cantonese Rhymes from San Francisco Chinatown

Benjamin Hoff for The Singing Creek Where the Willows Grow: The Mystical Nature Diary of Opal Whiteley

Ronald Sukenick for Down and in: Life in the Underground

Salvatore La Puma for The Boys of Bensonhurst

Toni Morrison for Beloved

Wing Tek Lum, Tek Lum Lum for Expounding the Doubtful Points

1989

Alma Luz Villanueva for The Ultraviolet Sky

Askia M. Touré for From the Pyramids to the Projects: Poems of Genocide and Resistance!

Audre Lorde for A Burst of Light

Carolyn Lau for Wode Shuofa: My Way of Speaking

Emory Elliott for Columbia Literary History of the United States

Eduardo Galeano for Genesis

Frank Chin for The Chinaman Pacific and Frisco R.R. Co.

Editorial summary

This brief starts where responsible research should: with the source description of “American Book Awards” as literary award in the United States. Everything that follows is an evidence route, not borrowed authority.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—2010, 1978, 1980, 1987—that can be checked directly. The linked authority record independently contributes the date 1978. The account is most persuasive where American, Book and Awards can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the arts & letters register because the source frames it as literary award in the United States. Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated Sep 12, 2026. The linked authority identifier is Q463606. 1 of 2 selected statements include explicit references; 1 carry qualifiers and 0 use preferred rank. The first chronological checks are 2010, 1978, 1980 and 1987.

Critical limits

Rights, attribution and provenance may remain disputed even when a general reference summary presents a stable account. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “American Book Awards”, its source revision and the description used here.
  2. Expand the search: follow American Book Awards primary sources, American Book Awards archive and American research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “American Book Awards”?
  2. Where is authorship, date or provenance documented?
  3. Which edition, object, performance or recording is being described?
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Source & attribution

This entry incorporates text from American Book Awards” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.