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Everything Everywhere All at Once

2022 film by Daniel Kwan and Daniel Scheinert

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 14, 2026
Entity authorityQ83808444 ↗
Source-derived summary

Everything Everywhere All at Once is a 2022 American independent absurdist comedy-drama film written and directed by Daniel Kwan and Daniel Scheinert, who produced it with Anthony and Joe Russo and Jonathan Wang. The film incorporates media from several genres, including surreal comedy, science fiction, fantasy, martial arts films, and immigrant narrative. Michelle Yeoh stars as Evelyn Quan Wang, a Chinese-American immigrant who, while being audited by the IRS, discovers that she must connect with parallel universe versions of herself to prevent a powerful being from destroying the multiverse. The film also stars Stephanie Hsu, Ke Huy Quan, James Hong, and Jamie Lee Curtis.

Kwan and Scheinert began work on the project in 2010, and began writing the film's script in 2016. Production was announced in 2018, and principal photography ran from January to March 2020. The works of Hong Kong film director Wong Kar-wai, as well as the children's book Sylvester and the Magic Pebble and the video game Everything, served as inspiration for several scenes. Also inspired by contemporary scholars such as philosopher Mary-Jane Rubenstein, the film explores philosophical themes such as existentialism, nihilism, surrealism, and absurdism, as well as themes such as neurodivergence, depression, generational trauma, and Asian American identity. Its soundtrack features compositions by Son Lux, and collaborations with Mitski, David Byrne, André 3000, John Hampson, and Randy Newman.

Everything Everywhere All at Once premiered at South by Southwest on March 11, 2022, and began a limited theatrical release in the United States on March 25, before a wide release by A24 on April 8.

Editorial summary

The public source identifies “Everything Everywhere All at Once” as 2022 film by Daniel Kwan and Daniel Scheinert. This brief keeps that definition visible, then builds a research path around Everything, Everywhere and Once.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—2022, 2010, 2016, 2018—that can be checked directly. The authority record carries competing date values—2022-03-11, 2022-03-25, 2022-04-07, 2022-04-08—which should remain separate until their references and qualifiers are resolved. Its value is orientation rather than verdict, with Everything, Everywhere and Once providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “Everything Everywhere All at Once”, the useful work is to connect “2022 film by Daniel Kwan and Daniel Scheinert” to the records capable of establishing context and consequence.

Evidence profile

Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Sep 14, 2026. The linked authority identifier is Q83808444. VIAF identifies the subject as 8303165272196710690004. 6 of 8 selected statements include explicit references; 7 carry qualifiers and 0 use preferred rank. The first chronological checks are 2022, 2010, 2016 and 2018.

Critical limits

Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Everything Everywhere All at Once”, its source revision and the description used here.
  2. Expand the search: follow Everything Everywhere All at Once primary sources, Everything Everywhere All at Once archive and Everything research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Everything Everywhere All at Once”?
  2. Which edition, object, performance or recording is being described?
  3. How did later circulation or interpretation alter the work’s reception?
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Source & attribution

This entry incorporates text from “Everything Everywhere All at Once” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.