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Almeida Júnior

Brazilian painter (1850-1899)

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General referenceInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 8, 2026
Entity authorityQ569859
Source-derived summary

José Ferraz de Almeida Júnior (8 May 1850 – 13 November 1899) was a Brazilian artist and designer; one of the first there to paint in the Realistic tradition of Gustave Courbet and Jean-François Millet. The "Dia do Artista Plástico" (Day of Fine Artists in Brazil) is celebrated on his birthday. He is the Patron of the 26th chair of the Brazilian Academy of Fine Arts.

Early life and education

He was born in Itu. His art career began while he was working as a bell-ringer at the Church of Our Lady of Candelária in his native town. Some small works Júnior created on religious themes impressed the head priest enough to hold a fundraising for him so he could go to Rio de Janeiro for formal art lessons.

In 1869, he enrolled at the Academia Imperial de Belas Artes (Imperial Academy of Fine Arts), where he studied with Victor Meirelles and Pedro Américo. His simple country speech and manners made him stick out among the rest of the students, who were all from more urban areas. After graduating, he chose not to compete for a travel award to Europe, instead returning to Itu and setting up a studio there.

During a tour of the São Paulo region in 1876, Emperor Pedro II saw Júnior's work and liked it.

Editorial summary

Begin with the source’s own compact description: “Almeida Júnior” is brazilian painter (1850-1899). The dossier treats that line as a proposition to test through Almeida, Júnior and Brazilian, not as a finished interpretation.

Editorial reviewA practical starting point whose main value is the path it opens into stronger specialist and primary sources. The current lead gives the account dated anchors—1850, 1899, 1869, 1876—that can be checked directly. The authority record carries competing date values—1850-05-08, 1851—which should remain separate until their references and qualifiers are resolved. For this dossier, Almeida, Júnior and Brazilian is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “brazilian painter (1850-1899)” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

The citation trail is more important than the brevity of the summary: it shows where individual claims can be examined in context. The source revision retrieved here is dated Sep 8, 2026. The linked authority identifier is Q569859. VIAF identifies the subject as 25914926. The Library of Congress control number is n80139770. 4 of 4 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1850, 1899, 1869 and 1876.

Critical limits

A concise general-reference account can conceal disagreements about scope, terminology or the weight assigned to individual sources. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

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Source & attribution

This entry incorporates text from Almeida Júnior” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.