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Aliovsat Sadigov

musical artist

Correspondence, annotated notebooks and portrait silhouettes prepared for research
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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionMar 7, 2026
Entity authorityQ12850131 ↗
Source-derived summary

Aliovsat Shirali oghlu Sadigov (Azerbaijani: Əliövsət Şirəli oğlu Sadıqov, 21 December 1906 — 17 November 1970) was an Azerbaijani opera singer, People's Artist of the Azerbaijan SSR.

Biography

Aliovsat Sadigov was born on 21 December 1906 in Nukha. He studied at the Azerbaijan State Conservatoire in 1928–1930. His voice was a lyric tenor. After graduation, he began working as a soloist at the Azerbaijan State Opera and Ballet Theater in 1930–1963.

The characters he created are more remarkable in Uzeyir Hajibeyov's "Leyli and Majnun" (Majnun, Ibn Salam and Zayd), "Asli and Kerem" (Kerem), "Koroghlu" (Eyvaz), Zulfugar Hajibeyov's "Ashig Garib" (Garib), Reinhold Glière's "Shahsanam" (Ashig Garib and Ashig Samad), Muslim Magomayev's "Shah Ismayil" (Shah Ismayil), "Nargiz" (Molla Mutallim), translated "Safa" (Ashig Musa) operas and Uzeyir Hajibeyov's "Arshin mal alan" (Suleyman), "Mashadi Ibad"(Hambal and Sarvar) operettas.

In the last years of his life he worked as a consultant pedagogue at the Opera Theater. Aliovsat Sadigov died in Baku on 17 November 1970, and was buried in the Second Alley of Honor.

Editorial summary

Begin with the source’s own compact description: “Aliovsat Sadigov” is musical artist. The dossier treats that line as a proposition to test through Aliovsat, Sadigov and musical, not as a finished interpretation.

Editorial reviewStrongest as a route into the people, institutions and dated events that shaped the subject’s public record. The current lead gives the account dated anchors—1906, 1970, 1928, 1930—that can be checked directly. The authority record carries competing date values—1906-12-21, 1906-01-01—which should remain separate until their references and qualifiers are resolved. For this dossier, Aliovsat, Sadigov and musical is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “musical artist” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

The entry’s evidential value lies in the named roles, institutions and publications that can be tested against primary documentation. The source revision retrieved here is dated Mar 7, 2026. The linked authority identifier is Q12850131. VIAF identifies the subject as 3698169757873508010006. 3 of 4 selected statements include explicit references; 0 carry qualifiers and 1 use preferred rank. The first chronological checks are 1906, 1970, 1928 and 1930.

Critical limits

Later biographies can compress uncertainty and repeat inherited reputations, so apparently settled claims may still require comparison. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.

Best used for
  • Establishing names and roles
  • Building a first chronology
  • Locating cited institutions
Verify next

Personal papers, civil or court records, institutional files and the scholarship cited by the source.

Three-step research path

  1. Establish the record: confirm the title “Aliovsat Sadigov”, its source revision and the description used here.
  2. Expand the search: follow Aliovsat Sadigov primary sources, Aliovsat Sadigov archive and Aliovsat research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Aliovsat Sadigov”?
  2. Which primary records establish identity, chronology and institutional ties?
  3. How has the subject’s reputation changed across later accounts?
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Source & attribution

This entry incorporates text from “Aliovsat Sadigov” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.