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Alice Jacobsen

Chicago sculptor (1928–1993)

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General referenceInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionNov 6, 2025
Entity authorityQ116764832
Source-derived summary

Alice "Zani" Jacobsen (1928–1993) was an American postwar and contemporary sculptor who resided on the North Side of Chicago. She is known for her plaster sculptural reliefs of buildings, structures, and famous landmarks that she felt "'represent an important Chicago style' or demonstrate an innovative solution to technical construction problems."

Early life and education

Jacobsen was a graduate of the School of the Art Institute of Chicago (SAIC).

Career

Subjects and style

Her subjects include local taverns, popular theaters, neighborhood fire stations, and private homes that were built in the middle to late 1800s and early 1900s and represent Victorian architecture. She depicted extant buildings in Logan Square, Humboldt Park, Wicker Park, Old Town Triangle, the Gold Coast, Prairie Avenue, Pilsen, Kenwood, Hyde Park, and Pullman neighborhoods. Some of her more popular subjects include the Chicago Water Tower, Riverview Amusement Park, and Comiskey Park.

Design process

Jacobsen's design process started with her and her husband driving the streets of Chicago in search of potential subjects. They navigated their way through the city by using a grid map that distinguished the boundaries of the then 176 neighborhoods of Chicago. When she found a potential subject, she would photograph it in detail before using the photos as a reference to recreate an authentic scaled down version. Before starting any work, Jacobsen would thoroughly research each subject, including building styles and materials popular during that era. Her biggest source of information for this was The Chicago Historical Society, neighborhood groups, and local nostalgia enthusiasts.

Editorial summary

Begin with the source’s own compact description: “Alice Jacobsen” is chicago sculptor (1928–1993). The dossier treats that line as a proposition to test through Alice, Jacobsen and Chicago, not as a finished interpretation.

Editorial reviewA practical starting point whose main value is the path it opens into stronger specialist and primary sources. The current lead gives the account dated anchors—1928, 1993—that can be checked directly. The linked authority record independently contributes the date 1928-01-01. For this dossier, Alice, Jacobsen and Chicago is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “chicago sculptor (1928–1993)” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Named sources, stable identifiers and responsible institutions provide the strongest route from overview to verifiable evidence. The source revision retrieved here is dated Nov 6, 2025. The linked authority identifier is Q116764832. None of the 1 selected statements returned an explicit reference. The first chronological checks are 1928 and 1993.

Critical limits

The absence of detail may reflect summary conventions rather than a lack of surviving documentation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

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Source & attribution

This entry incorporates text from Alice Jacobsen” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.